Back in the late Eighties, there was a Logo Conference held in Los Angeles. After a wild night reminiscent of Martin Scorsese’s 1985 film, “After Hours,” longtime Papert collaborator Brian Silverman and I found ourselves locked out of where we were supposed to sleep.
Ever the problem solver, Brian said, “Seymour always has a big room. We can sleep there.”
So, we drove back across town and woke Seymour before 5 AM. Despite our discourteous invasion and before we went off to sleep, Papert offered a bit of profundity that withstands the test of time.
One of the people we had been partying with earlier in the evening was teacher, turned software developer, Tom Snyder. Brian remarked something along the lines of, “Tom is a good guy.” Seymour disagreed and said that he viewed the world of educational technology as a triangle with Alfred Bork, Tom Snyder, and himself (Papert) in each of the vertices. Papert went on to say that each of the three men possess a stance that views technology as benefitting one of three constituents in the educational system.
Alfred Bork was notorious for saying that teachers had low SAT scores, were not very bright, and any future teacher shortage would be corrected by replacing teachers with teaching machines. Today’s online testing, “personalized instruction,” and other dystopian systems concerned with delivery, testing, surveillance, and accountability are manifestations of Bork’s fantasies.
Tom Snyder was a fledgling educational software designer in the late 1980s trying to make payroll and in need of a catchy marketing niche. He looked around and found that most classrooms had one computer. So, he decided to make software for the “one computer classroom.” In this scenario, the teacher was an actor, the classroom was a set, and the computer was a prop for engaging in whole class or small group problem solving. Oddly, this practical marketing slogan born from a shortage of computers nearly thirty years ago remains an enduring metaphor for classroom computer use. The “interactive” whiteboard is one example. (Some of Tom’s software is still available)
Seymour Papert believed in the late 1960s that every child would and should have a personal computer with which to mess about with powerful ideas, create, and collaborate.
These three points of view described by Papert in the middle of the night described how technology is not neutral and in an educational setting, it always grants agency to one of three actors; the system, the teacher, or the student. Papert’s disciples see the greatest benefit arising from granting maximum agency to the learner.
Technology is never neutral. An incredibly clever teacher might be able to pull a technology a little bit between the vertices in the triangle, but that doesn’t change the equation. Educators need to decide upon whom they wish to bestow agency. I’m in Papert’s corner. It is best for learners and enjoys the greatest return on investment.
Gary Stager is the founder of the Constructing Modern Knowledge summer institute for educators July 11-14, 2017, coauthor of Invent To Learn – Making, Tinkering, and Engineering in the Classroom, and curator of the Seymour Papert archive site, DailyPapert.com.
Register today for Constructing Modern Knowledge 2017!
Dr. Gary Stager was invited to write a profile of his friend, colleague, and mentor Dr. Seymour Papert for the premiere issue of Hello World!, an impressive new magazine for educators from The Raspberry Pi Foundation. This new print magazine is also available online under a Creative Commons license.
I suggest you explore the entire new magazine for inspiration and practical classroom ideas around the Raspberry Pi platform, “coding,” problem solving, physical computing, and computational thinking.
Gary’s article was cut due to space limitations. However, the good news, for anyone interested, is that the full text of the article appears below (with its original title).
Seymour Papert Would have Loved the Raspberry Pi!
When Dr. Seymour Papert died in July 2016, the world lost one of the great philosophers and change-agents of the past half-century. Papert was not only a recognized mathematician, artificial intelligence pioneer, computer scientist, and the person Jean Piaget hired to help him understand how children construct mathematical knowledge; he was also the father of educational computing and the maker movement.
By the late 1960s, Papert was advocating for every child to have its own computer. At a time when few people had ever seen a computer, Papert wasn’t just dreaming of children using computers to play games or be asked quiz questions. He believed that children should program the computer. They should be in charge of the system; learning while programming and debugging. He posed a fundamental question still relevant today, “Does the child program the computer or does the computer program the child?” Along with colleagues Cynthia Solomon and Wally Feurzig, Papert created Logo, the first programming language designed specifically for children and learning. MicroWorlds, Scratch, and SNAP! are but a few of the Logo dialects in use fifty years later.
Papert’s legacy extends beyond children programming, despite how rare and radical that practice remains today. In 1968, Alan Kay was so impressed by the mathematics he witnessed children doing in Logo that he sketched the Dynabook, the prototype for the modern personal computer on his flight home from visiting Papert at MIT. In the mid-1980s, Papert designed the first programmable robotics construction kit for children, LEGO TC Logo. LEGO’s current line of robotics gear is named for Papert’s seminal book, Mindstorms. In 1993, Papert conjured up images of a knowledge machine that children could use to answer their questions, just like the new Amazon Echo or Google Home. littleBits and MaKey Makey are modern descendants of Papert’s vision.
Prior to the availability of CRTs (video displays), the Logo turtle was a cybernetic creature tethered to a timeshare terminal. As students expressed formal mathematical ideas for how they wished the turtle to move about in space, it would drag a pen (or lift it up) and move about in space as a surrogate for the child’s body, all the while learning not only powerful ideas from computer science, but constructing mathematical knowledge by “teaching” the turtle. From the beginning, Papert’s vision included physical computing and using the computer to make things that lived on the screen and in the real world. This vision is clear in a paper Cynthia Solomon and Seymour Papert co-authored in 1970-71, “Twenty Things to Do with a Computer.”
“In our image of a school computation laboratory, an important role is played by numerous “controller ports” which allow any student to plug any device into the computer… The laboratory will have a supply of motors, solenoids, relays, sense devices of various kids, etc. Using them, the students will be able to invent and build an endless variety of cybernetic systems. “ (Papert & Solomon, 1971)
This document made the case for the maker movement more than forty-five years ago. Two decades later, Papert spoke of the computer as mudpie or material with which one could not only create ideas, art, or theories, but also build intelligent machines and control their world.
From his early days as an anti-apartheid dissident in 1940s South Africa to his work with children in underserved communities and neglected settings around the world, social justice and equity was a current running through all of Papert’s activities. If children were to engage with powerful ideas and construct knowledge, then they would require agency over the learning process and ownership of the technology used to construct knowledge.
“If you can make things with technology, then you can make a lot more interesting things. And learn a lot more by making them.” – Seymour Papert (Stager, 2006)
Programming computers and building robots are a couple examples of how critical student agency was to Papert. He inspired 1:1 computing, Maine becoming the first state on earth to give a laptop to every 7th & 8th grader, and the One Laptop Per Child initiative.
“…Only inertia and prejudice, not economics or lack of good educational ideas stand in the way of providing every child in the world with the kinds of experience of which we have tried to give you some glimpses. If every child were to be given access to a computer, computers would be cheap enough for every child to be given access to a computer.” (Papert & Solomon, 1971)
It made Papert crazy that kids could not build their own computers. When we worked together (1999-2002) to create an alternative project-based learning environment inside a troubled teen prison, we bought PCs hoping that the kids could not only maintain them, but also eventually build their own. Despite kids building guitars, gliders, robots, films, computer programs, cameras, telescopes, and countless other personally meaningful projects uninterrupted for five hours per day – a “makerspace” as school. Back then, it was too much trouble to source parts and build “personal” computers.
In 1995, Papert caused a commotion in a US Congressional hearing on the future of education when an infuriated venture capitalist scolded him while saying that it was irresponsible to assert that computers could cost $100, have a lifespan of a decade, and be maintained by children themselves. (CSPAN, 1995) Later Papert would be fond of demonstrating how any child anywhere in the world could repair the $100 OLPC laptop with a single screwdriver. Before Congress, he asserted that computers only seem expensive when accounting tricks compare them to the price of pencils. If used in the expansive ways his projects demonstrated, Papert predicted that “kid power” could change the world.
The Raspberry Pi finally offers children a low-cost programmable computer that they may build, maintain, expand, and use to control cyberspace and the world around them. Its functionality, flexibility, and affordability hold the promise of leveraging kid power to put the last piece in the Papert puzzle.
CSPAN (Producer). (1995, 12/1/16). Technology In Education [Video] Retrieved from https://www.c-span.org/video/?67583-1/technology-education&whence=
Papert, S., & Solomon, C. (1971). Twenty things to do with a computer. Retrieved from Cambridge, MA:
Stager, G. S. (2006). An Investigation of Constructionism in the Maine Youth Center. (Ph.D.), The University of Melbourne, Melbourne.
Dear Dr. Williams:
Thank you so much for being the first ISTE executive or board member to address the sad state of affairs expressed by my old friend and mentor David Thornburg. It is disappointing that David’s proposal was rejected. Dr. Thornburg is a pillar of educational computing.
I am grateful to David for bringing attention to ISTE’s non-existent response to the life and death of Seymour Papert. It is worth noting that the father of our field, Dr. Papert, was never invited to keynote ISTE or NECC; not after the publication of his three seminal books, not after the invention of robotics construction kits for children, not after 1:1 computing was borne in his image in Australia, not after Maine provided laptops statewide, not when One Laptop Per Child changed the world. This lack of grace implies a rejection of the ideas Papert advocated and the educators who had to fight even harder to bring them to life against the tacit hostility of our premiere membership organization.
One would imagine that a conference dedicated to linoleum installation would eventually have the inventor of linoleum to address its annual gathering. Last year (2015), ISTE rejected my proposal to lead a session commemorating the 35th anniversary of Papert’s book Mindstorms and the 45th anniversary of the paper he co-authored with Cynthia Solomon, “Twenty Things To Do with a Computer.” See the blog post I wrote at the time.
Such indifference was maddening, but the failure of the ISTE leadership to recognize the death of Dr. Papert this past July, even with a tweet, is frankly disgraceful. After Papert’s death, I was interviewed by NPR, the New York Times and countless other news outlets around the world. I was commissioned to write Papert’s official obituary for the prestigious international science journal Nature. Remarkably, unless I missed it, ISTE has failed to honor Dr. Papert in any way, shape, or form. I have begged your organization to do so in order to bring his powerful ideas to life for a new generation of educators. These actions should not be viewed as a grievance or form of attention seeking. ISTE’s respect for history and desire to provide a forum for the free exchange of disparate ideas are critical to its relevance and survival.
Dr. Papert himself might suggest that ISTE is idea averse. In its quest to feature new wares and checklists, it neglects to remind our community that we stand on the shoulders of giants. Earlier this year, I was successful in convincing NCWIT to honor Papert’s colleague, Dr. Cynthia Solomon, with its Pioneer Award. If only I could be so persuasive as to convince ISTE to honor the “mother of educational computing” before it’s too late. As we assert in our book, Invent To Learn, without Papert and Solomon there is no 1:1 computing, no Code.org, no CS4All, no school robotics, no maker movement.
In light of Papert’s recent passing, and the remarkable 50th anniversary of the Logo programming language in 2017, I submitted two relevant proposals for inclusion on the 2017 ISTE Conference Program.
- Papert Matters: Celebrating the Life of the Father of Educational Computing
- Logo at 50: Children, Computers, and Powerful Ideas
You guessed it. Both were rejected.
Anniversaries and deaths are critical milestones. They cause us to, pause, reflect, and take stock. In 2017, there are several major conferences, including one I am organizing, focused on commemorating Papert and the 50th birthday of Logo. Sadly, ISTE seems to be standing on the sidelines.
It is not that I have nothing to offer on these subjects or do not know how to 1) write conference proposals or 2) fill an auditorium. As someone who has worked to bring Papert’s powerful ideas to life in classrooms around the world for 35 years and who worked with Papert for more than two decades, I have standing. I edited ISTE’s journal dedicated to the work he began, was the principal investigator on Papert’s last major institutional project, gave a TEDx talk in India on his contributions, and am the curator of the Seymour Papert archives at dailypapert.com. I worked in classrooms alongside Seymour Papert. Last year, 30 accepted ISTE presentations cited my work in their bibliographies.
I am often asked why I don’t just give up on ISTE. The answer is because educational computing is my life’s work. I signed the ISTE charter and have spoken at 30 NECC/ISTE Conferences. It is quite possible that no one has presented more sessions than I. For several years, I was editor of ISTE’s Logo Exchange journal and founded ISTE’s SIGLogo before it was killed by the organization. I have been a critical friend for 25 years, not to harm ISTE, but to help it live up to its potential.
For decades, David Thornburg and I have spoken at ISTE/NECC at our own expense. This is just one way in which I know that we are both committed to what ISTE can and should be. I have also written for ISTE’s Learning and Leading with Technology.
It would be my pleasure to discuss constructive ways to move forward.
Gary S. Stager, Ph.D.
CEO: Constructing Modern Knowledge
Co-author: Invent To Learn – Making, Tinkering, and Engineering in the Classroom
PS: Might I humbly suggest that ISTE hire or appoint a historian?
Join Dr. Gary Stager in a free Twitter Chat about computer programming in schools December 7, 2016. Learn more here.
Sphero is hardly the first programmable robot. My friend Steve Ocko developed Big Trak for Milton Bradley in the late 1970s. Papert, Resnick, Ocko, Silverman, et al developed LEGO TC Logo, the first programmable LEGO building system in 1987. (Watch Seymour Papert explain the educational benefits in 1987)
- The Invent To Learn Guide to Block Programming
- Programmable toys for controlling with the iPad
- The Secret Key to Girls and Computer Science
- Legislators Finally Admit the Obvious
- President Obama Discovers Coding – Yippee!
Professional learning opportunities for educators:
Constructing Modern Knowledge offers world-class hands-on workshops across the globe, at schools, conferences, and museums. During these workshops, teachers learn to learn and teach via making, tinkering, and engineering. Computer programming (coding) and learning-by-making with a variety of materials, including Sphero and Tickle. For more information, click here.
Hate to be a killjoy, but I just looked at one of the Code.org activities for programming turtle graphics in App Lab.
As someone who has taught various dialects of Logo to kids and teachers for 34+ years, I was horrified by the missed learning opportunities and design of the activity. My concerns are in lesson/interface design and lost learning opportunities.
First of all, you connect any blocks and then hit Next. It doesn’t matter if you solve the actual problem posed or not.
Second and MUCH more importantly, ALL of the power and intellectual nutritional value of turtle geometry is sacrificed in order to teach a much simpler lesson in snapping blocks together in service of “efficiency.”
The power of turtle geometry is well – geometry, also measurement, and number. There are no numerical inputs to the turtle geometry blocks and all of the turns are in 90 degree increments.
As we approach the 50th anniversary of Logo and are celebrating the 35th anniversary of the publication of Mindstorms – Children, Computers, and Powerful Ideas, it sure would be nice if Code.org would learn some fundamental lessons of children, computers, and powerful ideas instead of depriving kids of an opportunity to learn mathematics while learning computer science.
Since posting the above statement to a CS discussion forum on Facebook, Hadi Partook – founder of Code.org responded as follows.
- Low engagement
- Limits on student creativity, exploration, and tinkering
More than 20 years ago, a graduate student of mine, named Beth, (surname escapes me, but she had triplets and is a very fine high school math teacher) used an early version of MicroWorlds to program her own version of a toolkit similar to Geometer’s Sketchpad. Over time, I ran a similar activity with kids as young as 7th grade. I’ve done my best to piece together various artifacts from my archives into a coherent starting point for this potentially expansive activity. Hopefully, you’ll be able to figure out how to use the tools provided and improve or expand upon them.
As students build functionality (via programming) into a tool for creating and measuring geometric constructions, they reinforce their understanding of important geometric concepts. As the tool gets more sophisticated, students learn more geometry, which in turn leads to a desire to explore more complex geometric issues. This is an ecological approach to programming. The tool gets better as you learn more and you learn more as the tool becomes more sophisticated.
Along the way, students become better programmers while using variables, list processing, and recursion in their Logo procedures. They will also engage in user interface design.
- Teacher and student project instructions
- MicroWorlds EX Geometry Toolkit starter template file
- An example of a more elaborate Geometry Toolkit created by Beth
 I would not show commercial models of the software to students until after they have programmed some new functionality into their own tools.
In November, I had a the great honor of working with my colleagues at the Omar Dengo Foundation, Costa Rica’s NGO responsible for computers in schools. For the past quarter century, the Fundacion Omar Dengo has led the world in the constructionist use of computers in education – and they do it at a national level!
While there, I delivered the organization’s annual lecture in the Jean Piaget Auditorium. The first two speakers in this annual series were Seymour Papert and Nicholas Negroponte.
The first video is over an hour in length and is followed but the audience Q & A. The second portion of the event gave me the opportunity to tie a bow on the longer address and to explore topics I forgot to speak about.
I hope these videos inspire some thought and discussion.
Gary Stager “This is Our Moment “ – Conferencia Anual 2014 Fundación Omar Dengo (Costa Rica)
San José, Costa Rica. November 2014
Gary Stager – Questions and Answers Section – Annual Lecture 2014 (Costa Rica)
San José, Costa Rica. November 2014
Following my presentation at the March ASCD National Conference, Sarah McKibben of ASCD interviewed me for an article, If You Build It: Tinkering with the Maker Mind-Set, published in the June 2014 issue of ASCD Education Update.
As is often the case, just a few of my comments made it into the final publication. Since I responded to a number of interview questions via email, I am publishing my full interview here. The questions posed are in green.
How would you define making? I talked to Steve Davee at the Maker Education Initiative, and he says that making is more of a mind-set. “Where things that are created by people are recognized, celebrated, and there’s a common interdisciplinary thread.” Would you agree?
I like to say that the best makerspace is between your ears. I agree that it’s a stance that prepares learners to solve problems their teachers could never have predicted with a strong sense of confidence and competence, even if only to discover that there is much more to learn.
Seymour Papert calls the learning theory underlying the current interest in “making,” constructionism. He asserts that learn best occurs when the learner is engaged in the process of constructing something shareable.
In our book, we argue that my friend and mentor Papert, is the father the maker movement as well as educational computing.
In a webinar on your website, Sylvia Martinez said that with making, assessment is intrinsic within the materials.” That it’s more “organic, formative, and internally motivated.” If you’re working with a material like cardboard, without any technology involved (and you can’t base success on something lighting up), how do you assess learning?
First of all, it would be best to take a deep breath and not worry about assessing everything. All assessment interrupts the learning process. Even just asking, “Hey, whatcha doing?” interrupts the learning process. It is up to reasonable adults to determine an acceptable degree of interruption. Perhaps building stuff out of cardboard is just fun.
The best problems and projects push up against the persistence of reality. One could observe a student’s habits of mind. Speak with them about her goals and what she has accomplished. One could imagine thinking about the understanding of physics involved in building a structure, understanding of history in their cardboard Trojan horse, or storytelling ability.
There isn’t anything magical about technology when it comes to a teacher understanding the thinking of each student. That said, we find over and over again that in productive learning environments, kids may combine media, like cardboard, lights, and microcontrollers in interesting and unpredictable ways. The computer is part of an expansive continuum of constructive material.
It seems that there’s a wide gamut of materials in making. From cardboard to Arduinos to expensive laser cutters. You mentioned in a presentation, something about “low threshold, high-ceiling materials.” Can you describe what you mean?
Sure, Tinkering and engineering requires a dialogue with materials in which it is possible for young or inexperienced users to enjoy immediate feedback so they continue to grow as fluency increases. Think of paint and brushes in that context or programming languages, such as Scratch or MicroWorlds. Like with LEGO, simple elements or tools may be used to create infinite complexity and expressiveness.
Can you give me an example of how, for instance, a high school English teacher might bring making into the classroom?
Making real things that matter with a real potential audience. Kids should write plays, poems, newspaper articles, petitions, manuals, plus make films, compose music, etc… We need to stop forcing kids to make PowerPoint presentations on topics they don’t care about for audiences they will never encounter. Kids have stories to tell. They should act, write, sing, dance, film those stories AND learn to write the sort of scientific, technical and persuasive writing that nearly every career demands.
At our Constructing Modern Knowledge summer institute, middle school humanities teacher, Kate Tabor of Chicago, used MicroWorlds to “make” the computer generate random Elizabethan insults. Teachers have used versions of Logo for decades to explore grammatical structure and conjugation rules by writing computer programs to generate random poetry or create the plural possessive form of a word.
Steve Davee also mentioned that a key to successful making in schools is to empower students to become the experts–to learn how to use a 3d printer on their own, for example, and to share that knowledge with others. He said that when a teacher has to be involved with a technology or material, it creates a “creative bottleneck.” On the other hand, you’ve mentioned that teachers need to tap into their own expertise to guide students. Can these two approaches coexist peacefully?
Kids are competent. I believe that teachers are competent too. I find it unfortunate that so many educators behave as if teachers are incapable of adapting to modernity.
There is a fundamental difference in stance between assuming that as a teacher I know everything as a fountain of knowledge and that the kids are smarter than me. There may be a “creative bottleneck,” but giving up on teachers or schools is an unacceptable capitulation.
Great things are possible when the teacher gets out of the way, but even greater possibilities exist when the teacher is knowledgeable and has experience they can call upon to help a kid solve a tough problem, connect with an expert, or toss in a well-timed obstacle that will cause the student encounter a powerful idea at just the right teachable moment.
Each year, teachers at Constructing Modern Knowledge construct projects that two years ago would have earned them a TED Talk and five years ago, a Ph.D. in engineering, and yet so much teacher PD is focused on compliance, textbook page turning or learning to “use the Google.”
How does making align with Piaget’s understanding, as you’ve mentioned, that knowledge is a consequence of experience?
Piaget said that knowledge is a consequence of experience. Papert said, “If you can make things with computers, then you can make a lot more interesting things and you can learn more by making them.” Both ideas serve as strong justification for making.
In a webinar, Sylvia Martinez mentioned that instead of looking at standards and creating projects around them, teachers might work backward by creating an educational experience, then filling in the standards. Do you agree with this approach? How would this look with making?
I agree with Papert that at best school teaches a billionth of a percent of the knowledge in the universe yet our entire educational system is hell-bent on arguing endlessly over which 1 billionth of a percent is important. As an educator, my primary responsibility is create a productive context for learning that democratizes access to experience and expertise while doing everything I can to make private thinking public in order to ready the environment for the student’s next intellectual development. Making is wholly consistent with this view.
As we have mechanized and standardized teaching over the past generation, teachers have been deprived of experience in thinking about thinking. Their agency has been robbed by scripted curricula, test-prep, the Common Core, and other nonsense I believe to be on the wrong side of history. As a result, they can’t help but become less thoughtful in their practice. My work is concerned with creating experiences during which teachers become reacquainted with learning in order to become more sensitive to the individual needs, passions, talents, and expertise of each student. The emerging tools of the Maker Movement provide an exciting basis for such experiences.
As I said at ASCD, you can’t teach 21st Century learners, if you haven’t learned this century.
The future viability of public education is dependent on a system of creative competent educators trusted to provide rich learning experiences for children.
I’ve been thinking a lot about my friend, colleague, and mentor Dr. Seymour Papert a lot lately. Our new book, “Invent to Learn: Making, Tinkering, and Engineering in the Classroom,” is dedicated to him and we tried our best to give him the credit he deserves for predicting, inventing, or laying the foundation for much of what we now celebrate as “the maker movement.” The popularity of the book and my non-stop travel schedule to bring the ideas of constructionism to classrooms all over the world is testament to Seymour’s vision and evidence that it took much of the world decades to catch up.
Jazz and Logo are two of my favorite things in life. They both make me feel bigger than myself and nurture me. Jazz and Logo provide epistemological lenses through which I view the world and appreciate the highest potential of mankind. Like jazz, Logo has been pronounced dead since its inception, but I KNOW how good it is for kids. I KNOW how it makes them feel intelligent and creative. I KNOW that Logo-like activities hold the potential to change the course of schooling. That’s why I have been teaching it to children and their teachers in one form or another for almost 32 years.
I’ve been teaching a lot of Logo lately, particularly a relatively new version called Turtle Art. Turtle Art is a real throwback to the days of one turtle focused on turtle geometry, but the interface has been simplified to allow block-based programming and the images resulting from mathematical ideas can be quite beautiful works of art. (you can see some examples in the image gallery at Turtleart.org)
Turtle Art was created by Brian Silverman, Artemis Papert (Seymour’s daughter) and their friend Paula Bonta. Turtle Art itself is a work of art that allows learners of all ages to begin programming, creating, solving problems, and engaging in hard fun within seconds of seeing it for the first time. Since an MIT undergraduate in the late 1970s, Brian Silverman has made Papert’s ideas live in products that often exceeded Papert’s expectations.
There aren’t many software environments or activities of any sort that engage 3rd graders, 6th graders, 10th graders and adults equally as Turtle Art. I wrote another blog post a year or so ago about how I wish I had video of the first time I introduced Turtle Art to a class of 3rd graders. Their “math class” looked like a rugby scrum, there was moving, and wiggling, and pointing, and sharing and hugging and high-fiving everywhere while the kids were BEING mathematicians.
Yesterday, I taught a sixth grade class in Mumbai to use Turtle Art for the first time. They worked for 90-minutes straight. Any casual observer could see the kids wriggle their bodies to determine the right orientation of the turtle, assist their peers, show-off their creations, and occasionally shriek with delight in a reflexive fashion when the result of their program surprised them or confirmed their hypothesis. As usual, a wide range of mathematical ability and learning styles were on display. Some kids get lost in one idea and tune out the entire world. This behavior is not just reserved to the loner or A student. It is often the kid you least expect.
Yesterday, while the rest of the class was creating and then modifying elaborate Turtle Art programs I provided, one sixth grader went “off the grid” to program the turtle to draw a house. The house has a long and checkered past in Logo history. In the early days of Turtle Graphics, lots of kids put triangles on top of squares to draw a house. Papert used the example in his seminal book, “Mindstorms: Children, Computers, and Powerful Ideas,” and was then horrified to discover that “making houses” had become de-facto curriculum in classrooms the world over. From then on, Papert refrained from sharing screen shots to avoid others concluding that they were scripture.
It sure was nice to see a kid make a house spontaneously, just like two generations of kids have done with the turtle. It reminded me of what the great jazz saxophonist and composer Jimmy Heath said at Constructing Modern Knowledge last summer, “What was good IS good.”
Love is all you need
This morning, I taught sixty 10th graders for three hours. We spend the first 75 minutes or so programming in Turtle Art. Like the 6th graders, the 10th graders had never seen Turtle Art before. After Turtle Art, the kids could choose between experimenting with MaKey MaKeys, wearable computing, or Arduino programming. Seymour would have been delighted by the hard fun and engineering on display. I was trying to cram as many different experiences into a short period of time as possible so that the school’s teachers would have options to consider long after I leave.
After we divided into three work areas, something happened that Papert would have LOVED. He would have given speeches about this experience, written papers about it and chatted enthusiastically about it for months. Ninety minutes or so after everyone else had moved on to work with other materials, one young lady sat quietly by herself and continued programming in Turtle Art. She created many subprocedures in order to generate the image below.
Papert loved love and would have loved this expression of love created by “his turtle.” (Papert also loved wordplay and using terms like, “learning learning.” I’m sure he would be pleased with how many times I managed to use love in one sentence.) His life’s work was towards the creation of a Mathland where one could fall in love with mathematical thinking and become fluent in the same way a child born in France becomes fluent in French. Papert spoke often of creating a mathematics that children can love rather than wasting our energy teaching a math they hate. Papert was fond of saying, “Love is a better master than duty,” and delighted in having once submitted a proposal to the National Science Foundation with that title (it was rejected).
The fifteen or sixteen year old girl programming in Turtle Art for the first time could not possibly have been more intimately involved in the creation of her mathematical artifact. Her head, heart, body and soul were connected to her project.
The experience resonated with her and will stay with me forever. I sure wish my friend Seymour could have seen it.
Turtle Art is free for friends who ask for a copy, but is not open source. It’s educational efficacy is the result of a singular design vision unencumbered by a community adding features to the environment. Email firstname.lastname@example.org to request a copy for Mac, Windows or Linux.