I hope that anyone reading this is healthy and sane during this period of uncertainty. Teachers and kids alike are grieving over the loss of freedom, social interactions, and normalcy. Many families, even those never before considered at-risk, are terrified of the potential for financial ruin or catastrophic health risks. Since I’m all about the love and spreading optimism, I humbly share a silver-lining for teachers and the kids that they serve.

The fact that you are being told to “teach online” in some vague version of “look busy” may mean that teachers are finally being trusted. Districts large and small are abandoning grading as they recognize that education (at home) is inequitable. I guess it’s better late than never to discover the obvious.

Parents and superintendents are vanquishing the needless infliction of nonsense known as homework. Standardized testing is being canceled, an actual miracle. Colleges have recognized that enrolling students next Fall is more important than SAT or ACT scores. Each of these emergency measures has been advocated by sentient educators forever.

So, there is reason to celebrate (briefly), but then you must act! Use this time to remake schooling in a way that’s more humane, creative, meaningful, and learner-centered. This is your moment!

In the absence of compelling models of what’s possible, the forces of darkness will fill the void. Each of us needs to create models of possibility.

The fact that kids’ days are now unencumbered by school could mean that they finally have adequate time to work on projects that matter rather than being interrupted every 23 minutes. I recently wrote, What’s Your Hurry?, about teaching computer programming, but it’s applicable to other disciplines.

Project-based learning offers a context for learner-centered pedagogy. I was reminded that the new edition of our book, “Invent To Learn – Making, Tinkering, and Engineering in the Classroom,” includes several chapters on effective prompt setting that may be useful in designing projects for kids at home. Invent To Learn also lays out the case for learning-by-doing. Use that information to guide your communication with administrators, parents, and the community.

The following are but a few suggestions for seizing the moment and reinventing education after this crisis is resolved so we may all return to a new, better, normal.

Practice “Less us, more them”

Anytime a teacher feels the impulse to intervene in an educational transaction, it is worth pausing, taking a breath, and asking, “Is there less that I can do and more that the student(s) can do?” The more agency shifted to the student, the more they will learn.

One exercise you can practice teaching online, as well as face-to-face, is talk less. If you typically lecture for 40 minutes, try 20. If you talk for 20 minutes, try 10. If you talk for 10, try 5. In my experience, there is rarely an instance in which a minute or two of instruction is insufficient before asking students to do something. While teaching online, try not to present content, but rather stimulate discussion or organize activities to maximize student participation. Piaget reminds us that “knowledge is a consequence of experience.”

Remember, less is more

My colleague Brian Harvey once said, “The key to school reform is throw out half the curriculum – any half.” This is wise advice during sudden shift to online teaching and the chaos caused by the interruption of the school year.

Focus on the big ideas. Make connections between topics and employ multiple skills simultaneously. Abandon the compulsion to “deliver” a morbidly obese curriculum. Simplify. Edit. Curate.

Launch students into open-ended learning adventures

Learning adventures are a technique I became known for when I began teaching online in the 1990s. This process is described in the 2008 paper, Learning Adventures: A new approach for transforming real and virtual classroom environments.

Inspire kids to read entire books

Since the bowdlerized and abridged basals are locked in school, encourage kids to luxuriate with real books! Imagine if kids had the freedom to select texts that interest them and to read them from cover-to-cover without a comprehension quiz or vocabulary lesson interrupting every paragraph! Suggest that kids post reviews on Amazon.com for an authentic audience rather than making a mobile or writing a five-paragraph essay. Use Amazon.com or Goodreads to find other books you might enjoy.

Tackle a new piece of software

Been meaning to learn Final Cut X, Lightroom, a new programming language, or any other piece of sophisticated software? Employ groups of kids to tackle the software alone or together and employ their knowledge once school returns. Let them share what they know and lead.

Contribute to something larger than yourself

This is the time for teachers to support kids in creating big creative projects. Write a newspaper, novel, poetry anthology, play, cookbook, or joke book. Make a movie and then make it better. Create a virtual museum. Share your work, engage in peer editing, and share to a potentially infinite audience.

Check out what Berklee College of Music students have already done!

Teach like you know better

Use this time to rev-up or revive sound pedagogical practices like genre study, author study, process writing, interdisciplinary projects and the other educative good stuff too often sacrificed due to a lack of sufficient time. You now have the time to teach well.

Take note of current events

Daily life offers a world of inspiration and learning invitations. Why not engage kids in developmentally appropriate current events or take advantage of opportunities like JSTOR being open to the public during the COVID-19 crisis? Here’s a possible student prompt.

“Go to JSTOR, figure out how it works, find an interesting article, and share what you learned with the class.”

Let Grow

Change the world by challenging students to learn something on their own by embracing the simple, yet profound, Let Grow school project. A simple assignment asks kids to do something on their own with their parent’s permission and share their experiences with their peers.

Stand on the shoulders of giants

Every problem in education has been solved and every imaginable idea has been implemented somewhere. Teachers should use this time to read books about education written by experts and learn the lessons of the masters.

Take time to enjoy some culture

There is no excuse to miss out on all of the cultural activities being shared online from free Shakespeare from the Globe Theatre, Broadway shows, operas, living room concerts, piano practice with Chick Corea, and exciting multimedia collaborations. Many of these streams are archived on social media, YouTube, or the Web. Bring some peace, beauty, and serenity into your home.

The following are some links, albeit incomplete and subjective, to free streaming cultural events.

Apprentice with the world’s greatest living mathematician

In A Personal Road to Reinventing Mathematics Education, I wrote about how I have been fortunate enough to know and spend time with some of the world’s most prominent mathematicians and that while not a single one of them ever made me feel stupid, plenty of math teachers did. Stephen Wolfram is arguably the world’s leading mathematician/scientist/computer scientist. Over the past few years, he has become interested in teachers, kids, and math education. Dr. Wolfram spoke at Constructing Modern Knowledge, runs an annual summer camp for high school mathematicians, and has made many of his company’s remarkable computational tools available for learners.

Acknowledging that many students are home do to the pandemic this week, Wolfram led a free online Ask Me Anything session about an array of math and science topics, ostensibly for kids, as well as a “follow-along” computation workshop. You, your children, or your students have unprecedented access to all sorts of expertise, just a click away! This is like Albert Einstein making house calls!

A bit of exploration will undoubtedly uncover experts in other disciplines sharing their knowledge and talents online as well.

Abandon hysterical internet policies

The immediate need for laptops, Internet access, student email, plus the expedient use of available technologies like YouTube, FaceTime, Skype, Twitter, Instagram, and Zoom has instantly dispelled the hysterical and paranoid centralized approach to the Internet schools have labored under for the past twenty-five years. The Internet has never been dependent on the policies of your school or your paraprofessional IT staff to succeed. Perhaps we will learn what digital citizenship actually looks like after teachers and children are treated like modern citizens.

Heed Seymour Papert’s advice

When I worked with Seymour Papert, he created a document titled, “Eight Big Ideas Behind the Constructionist Learning Lab.” This one sheet of paper challenges educators to create productive contexts for learning in the 21st Century. Can you aspire to make these recommendations a reality in your classroom(s)?

Do twenty things to do with a computer

In 1971, Seymour Papert and Cynthia Solomon published, Twenty Things to Do with a Computer. How does your school measure up a half-century later?

Program your own Gameboy

Yes, you read that correctly. Here is everything you need to know to write your own computer games, build an arcade, or program a handheld gaming device!

Teach reading and programming simultaneously

Upper elementary and middle school students could learn to program in Scratch and develop their reading fluency at the same time. Learn how in A Modest Proposal.

Share my sense of optimism

Shortly before the COVID-19 crisis, I published, Time for Optimism, in which I shared reasons why progressive education is on the march and how we might teach accordingly. We can do this!

Wash your hands! Stay inside! Stand with children!


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary.


Scratch is a miracle. It’s popularity as a creative computing environment and its ubiquity around the world are truly impressive. Millions of children use the environment and have shared tens of millions of projects for others to enjoy and remix.

Scratch is a descendent of the Logo programming language. Logo was the first, and I would argue best, programming environment ever designed for children and learning. Logo is over fifty years old. While this would seem to be a million years old in technology years, Logo not only remains powerful in the hands of children, but benefits from a half-century worth of research, project ideas, and collective pedagogical wisdom.

Scratch adds media computation to the Logo bag of tricks available to kids. The sort of storytelling projects created in it appeals to adults who value kids being engaged in creative acts. A large part of Scratch’s appeal is the enormity of its project library full of projects that look like anyone can make them. It is also worth remembering that Scratch was originally designed for use in afterschool programs where teaching could not be guaranteed. Kids look at Scratch and know what to do. These are powerful and legitimate design features that contribute to its popularity.

Logo on the other hand was designed as a vehicle for education reform and created a “microworld” in which children could be mathematicians rather than just be taught math. Kids using Logo often fell in love with mathematics and felt intellectually powerful for the first time. Logo introduced the concept of the turtle, a representation of the child’s place in physical space, and turtle geometry, a math connected to movement in the real world. The turtle matched the intensity of children, captured their imagination, and was their collaborator in constructing mathematical knowledge. In 1968, Alan Kay first imagined the Dynabook, the progenitor of the modern laptop or tablet computer, after observing children programming in Logo. Kay recalls being amazed by the sophisticated mathematics young children were engaged in. Fifty-two years later, I feel the exact same way every time I use Logo with children.

*Today, a 5th grader came bounding up to me to announce, “Look what I accomplished!” She had taught the Logo turtle to draw a fraction, a bit of curricular detritus that normally invokes dread. In the process, she simultaneously demonstrated understanding of fractions, division, angle, linear measurement, and was on the verge of understanding variables all while teaching the turtle to draw. Turtle geometry may be the greatest mathematical prosthetic ever invented for learners. Logo creates a Mathland in which “messing about” and learning mathematics is as natural as a child develops oral language.

Math is the weakest link in every school. It remains the center for misery and instructionism in most. Seymour Papert taught me that the teaching of math ultimately jeopardizes all other efforts at educational progress. There is no gap as wide as the gulf between mathematics – a jewel of human intellect, and school math. Papert believed that even the most progressive schools become undone by the traditional diet and pedagogy of school math. He often discussed the need to create a mathematics children can love, rather than inventing tricks for teaching a “noxious” irrelevant math. Papert convinced me that no matter how project-based or student-centered a school happens to be, there remains a part of the day or week (math time) when coercion is reintroduced into the system. That is ultimately coercive to the nobler aims of the institution. Logo is and has been one of the few Trojan horses available for helping teachers rethink “math” on behalf of the kids they serve.

I fear for the future of such experiences in a world in which software has no value and there is no incentive for modern Logos to be created.

I just spent several hundred words stipulating that Scratch is a good thing. However, decisions were made in the evolution of Scratch that undermine its ability to make mathematics comprehensible, wondrous, relevant, and accessible for learners of all ages. Scratch could maintain fidelity to the powerful ideas inherent in Logo while adding all of the storytelling, animation, and media manipulation in a Web-based programming environment, but the designers of Scratch have decided to do otherwise. In fact, the most recent version, Scratch 3.0, has made it either too difficult or impossible to create the sorts of experiences I desire for my grandchildren and the children I’m privileged to teach.

I truly do not wish to step into the minefield of arguing about everyone’s favorite software, but my concerns are legitimate. I know readers may be thinking, “Hey, design your own software if you love Logo so much!” This is impossible in a world in which software has no value and there is no incentive for modern Logos to be created. Scratch benefits from mountains of government, university, and corporate funding, making it the 900-pound gorilla in coding for kids. That’s a good thing, but it could be better. My hope is that as Scratch evolves, consideration is given to bringing back some of the powerful mathematical ideas that have been lost.

Let me get specific. The following examples are a non-exhaustive list of the ways in which Scratch makes my life more difficult as a teacher and teacher educator concerned with providing authentic mathematical experiences.

Putting the turtle out to pasture
Perhaps the most enduring and kid-imagination-capturing metaphor of Logo programming goes like this:

[Teacher] “The turtle has a pen stuck in its belly button. What do you think happens when it drags its pen?”

[Kids] It draws!

This sounds simple, but is at the heart of what makes Logo a powerful, personal experience. Placing a transitional object representing ourselves inside of the machine is an instant personal invitation to programming. Drawing, with a crayon, pencil, or turtle is the protean activity for representing a child’s thinking.

Drawing or painting with the mouse is fine but denies children opportunities to express mathematical formalisms in service of drawing. There is fifty years’ worth of scholarship, joy, and powerful ideas associated with turtle graphics – often a user’s first experience with thinking like a mathematician and debugging.

Scratch 3.0 inexplicably demotes its pen blocks (commands) to software extensions. The extensions are hidden until the user un-hides them. All of the other Scratch 3.0 extensions support either external hardware control or more advanced esoterica like interactive video, language translation, or text-to-speech functionality. I appreciate that part of Scratch’s success is its clean design and lack of clutter. However, pen blocks are seminal and were integrated into previous versions. This design decision has several negative consequences.

  • It complicates the possible use of turtle graphics by requiring finding the location of the extensions button and clicking on the pen extensions
  • It implies that turtle graphics (drawing) is not as valuable a form of expression as animation.
  • The symbol on the extensions button is highly non-intuitive.
  • The pen blocks, once the extension is loaded, appear near the bottom of the block palettes, far from the motion blocks they rely on. This makes block programming cumbersome when the focus is turtle geometry.

The turtle has a pen stuck in its nose? Ouch!
In Scratch, the sprite draws from the perimeter of its shape, not its center. This makes precise movement, predictions about distances, and drawing precision much more difficult.

There are no turtle costumes for sprites
The turtle head points in the direction that matches “Forward” commands. This is obvious to even the youngest programmers. In Scratch, even if one wanted to use the turtle, there are no turtle costumes. Neither the turtles found in systems, like Turtle Art, MicroWorlds,  Lynx , or even the old 70s-80s era turtle  are provided. While it is possible to design your own Scratch costumes, you would be required to do so for every project, rather than merely adding sprite costumes to the system.

It is easy to explain that the “turtle may wear other costumes you design,” telling the kids that “the sprite could be a turtle that you can dress in custom costumes,” adds needless complexity.

No Clean, CG, Home, or CS
Nearly every other version of Logo has a Clean command for erasing the screen, CG, or CS for erasing the screen and repositioning the turtle at the center of the screen with a compass orientation of zero. Commonly found, HOME commands, send the turtle back to the center of the screen at coordinates, [0 0]. These are all simple concepts for even young children to quickly grasp and use.

Scratch’s pen extension Erase All block wipes the screen clean, but neither returns the sprite to home nor reorients a “dizzy turtle.”

Program for clearing the screen and sending the turtle/sprite home

Sure, if a teacher wants students to have a block performing the roles of Clearscreen, Scratch allows them to Make a Block.

The problem with doing so is that Scratch leaves the blocks you create, complete with their instructions, in the blocks palette – cluttering up your workspace. The definition of the “new” block cannot be hidden from users, even when the new block appears under My Blocks. Even more critically, there is no simple way to add pseudo-primitives (user-created blocks) to Scratch 3 for use by students each time they use the software. Therefore, you need to recreate Clearscreen in every new project.

[Making your own blocks is buggy too. Make your own block. Drag that stack of blocks, topped by Define, off the screen to delete it. Press Undo (Apple-Z or CTRL-Z). The definition stack of blocks returns, but not the new block under My Blocks until another block is created.]

The default sprite orientation is 90
When you hatch a sprite in Scratch, its orientation is towards the right side of the screen with an orientation of 90. If one hopes for children to construct understanding of compass orientation based on Mod 360, orienting the sprite/turtle to 0 is more intuitive. Since the turtle is a metaphor for yourself in space, your orientation is up, or 0 when facing the computer to program it.

No wrapping
For many kids, one of the most intoxicating aspects of turtle graphics comes from commanding the turtle to go forward a large number of steps. In many ways, it’s a kid’s first experience with big numbers. Turn the turtle and go forward a million steps and get a crazy wrapping pattern on the screen. Add some pen color changes, turns, and more long lines and math turns into art turns into math.

Scratch has no wrapping due to its focus on animation and game design. There could be a way to toggle wrap/no wrap. But alas…

Units are unnecessary
Not only are they unneeded, but educationally problematic. Far too much of math education is merely vocabulary acquisition, often devoid of actual experience. I go into countless classrooms where I find a store-bought or handmade “angles” poster on the wall listing the various kinds of angles. My first question is, “Who do you think is reading that?” The kids certainly aren’t, but more importantly, “Who cares?” Kids are forced to memorize names of angles too often without any experience with angles. Turtle geometry changes all of that.

If you watch me introduce turtle geometry to children, I show them that the turtle can walk and turn. It walks in turtle steps. I never use the terms, angle or degrees, until either kids use them or much much much later. After kids have experience with angles and a growing intuition about their units of measure will I mention the words, angle or degrees. After experience, those labels hang nicely on the concepts and the terms are understood, not just parroted.

In Scratch, the turn right and turn left blocks include the label for “degrees.” This is quite unfortunate. The design of these blocks is particularly odd since they do not even use the words, right and left, but arrows instead. This is most peculiar when juxtaposed against the rest of the motion blocks which are excessively chatty with extraneous text for their inputs.

Why use symbols for right and left and not a straight arrow for move?

To make matters worse, the default degree value in Scratch is 15. Kids naturally turn in 90 degree increments. If the default were 90, as it is in Turtle Art, kids quickly realize that there are turns smaller and larger when seeking angular precision. This is a much more effective sequence for understanding angle measurement from the syntonic to the abstract.

One tacit, yet profound, benefit of teachers teaching with Logo is that they gain experience teaching mathematics without front-loading vocabulary. In too many classrooms, kids are “taught” terms, like degree or angle, absent any experience. Logo-like environments offer the potential for teachers to appreciate how students may engage in mathematics unburdened by jargon. After children enjoy meaningful experiences and “mess-about” with the turtle, it is easy to say, “that’s called an angle,” or “the units used to measure angles are called degrees.” Those terms now have a powerful idea to hang their hat on.

Starting with units is not just unnecessary, it’s pedagogically unproductive.

Asymmetrical movement
Why are there blocks for turning right and left when there is only one move block? In Logo, Forward (FD) and Back (BK) are incredibly simple for children to understand and act out by playing turtle as a formal activity or in the course of programming. Move is ambiguous. Which way should I move? Forward and back make perfect sense.

Frankly, having a default of 10 in the move block is also a drag. For decades, teachers have experienced success by asking children, “How far would you like the turtle to go?” Kids suggest values and then are surprised by them. 10 is an arbitrary number. I might prefer 0 or a random integer as the default value for move. Such a change would force children to make a decision about the distance they wish to travel.

If you want the turtle to move backward, there is no back block. You are required to turn 180 degrees or move by a negative value.

Premature use of negative numbers
Introducing negative numbers and vectors the moment one encounters the turtle is premature and likely developmentally inappropriate. There is no reason for little kids to deal with negative numbers so soon when forward (fd) and back (bk) blocks could have been in the system, or at least as primitives under the pen extensions.

Multiple forwards provides kids practice with repeated addition, leading to multiplication.

Consider this simple example:

fd 20
fd 30
fd 100

Now you want the turtle to return to the midpoint of that line segment.

You can achieve that goal three ways, not including all of the repeated addition that might be used if a kid is not ready to divide 150 by 2 or figure out that a U-turn equals 180 degrees.

bk 75
rt 180 fd 75
fd -75

It is the possibility of solving even simple problems in multiple ways that is central to the genius of learning to think mathematically with Logo and the turtle. Sadly, the Scratch use of “move” to replace forward and back makes what was once a natural simple act, complicated or impossible.

PS: One more annoyance
Why are ask and answer in the Sensing palette? They get information from a user, but do not sense anything. Either move them or rename the Sensing palette, Data. Again, why lead the witness with the arbitrary “What’s your name?” value?


*Notes:
This was largely written after a recent day teaching kids. I spent months deciding whether to share this with the world. The great Cynthia Solomon contributed to my thinking and Sylvia Martinez read a draft. Seymour Papert is in my head all of the time.

Resources

  • Scratch – web site for Scratch software
  • ScratchEd – online community and resources for teachers teaching with Scratch
  • LogoThings – Cynthia Solomon’s collection of artifacts on the history of Logo
  • A Modest Proposal – ideas for using Scratch to learn computing and reading
  • Lynx – web site for new generation of Web-based Logo
  • MicroWorlds – web site for MicroWorlds software
  • Turtle Art – web site for Turtle Art software
  • The Daily Papert – archives of Seymour Papert writing, audio, and video
  • The Logo Exchange – archives of the long-running journal for Logo-using educators
  • Logo history discussion – video interview with Cynthia Solomon and Wally Feurzig, two of Logo’s creators

Selected bibliography

  • Abelson, H., & DiSessa, A. A. (1986). Turtle geometry: The computer as a medium for exploring mathematics: MIT press.
  • Harvey, B. (1982). Why logo? . Byte, 7, 163-193.
  • Hawkins, D. (2002). The informed vision; essays on learning and human nature. NY: Algora Press.
  • Newell, B. (1988a). Turtle confusion: Logo puzzles and riddles. Canberra, Australia: Curriculum Development Centre.
  • Newell, B. (1988b). Turtles speak mathematics. Canberra, Australia: Curriculum Development Centre.
  • Papert, S. (1972). Teaching children to be mathematicians versus teaching about mathematics. International Journal of Mathematical Education in Science and Technology, 3(3), 249-262.
  • Papert, S. (1993). Mindstorms: Children, computers, and powerful ideas (2nd ed.). New York: Basic Books.
  • Papert, S. (1999). Introduction: What is logo and who needs it? In LCSI (Ed.), Logo philosophy and implementation (pp. v-xvi). Montreal, Quebec: LCSI.
  • Papert, S. (2000). What’s the big idea? Toward a pedagogical theory of idea power. IBM Systems Journal, 39(3&4), 720-729.
  • Papert, S. (2002). The turtle’s long slow trip: Macro-educological perspectives on microworlds. Journal of Educational Computing Research, 27, 7-27.
  • Papert, S. (2005). You can’t think about thinking without thinking about thinking about something. Contemporary Issues in Technology and Teacher Education, 5(3), 366-367.
  • Watt, D. (1983). Learning with logo. New York: McGraw-Hill Book Co.
  • Watt, M., & Watt, D. (1986). Teaching with logo: Building blocks for learning. NY: Addison-Wesley Publishing Company.

The Papert articles (above) are available here.


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary.


All children should learn to program, not because it may lead to a job, but because it is a new liberal art and grants young people agency over an increasingly and technologically sophisticated world. At a time of rising authoritarianism and science denialism, it seems prudent to provide kids with experiences that develop a systematic way of making sense of the world. It may literally be the least we can do.

click to enlarge

Current approaches to teaching computing to kids suffer from the traditional failures of curriculum development and too often fall prey to the following desires:

  • vocabulary acquisition
  • a condescending view of teacher competence
  • convenience
  • frugality
  • ignorance of the intellectual euphoria associated with bending a computer to your will
  • offering students an illusion of agency without actual power
  • speed

The calls for “CS for All” are right out of the timeless schooling playbook; require a new subject without a requisite investment of funds or imagination and reduce it the sort of lifeless content devoid of experience that is easily tested. For extra credit, “demonstrate” that some students just don’t have a facility for the subject. A bell curve would be swell, but the real goal is for the “new subject” to fail with only children and their teachers to blame.

Scope & sequence from Microsoft’s CS curriculum for the micro:bit. https://makecode.microbit.org/courses/csintro

There is no better way to explain the quality of computer science curricula being developed for school use. Much of this curriculum is designed by interns or the very same educators who presided over the death of interest in CS. In many cases, the curriculum focuses on isolated topics, rather than on doing. What can a student do with the information being taught? Fluency is the goal!

(IMHO) Computer programming is not a means to demonstrate understanding of computer science jargon or even a technical act. At its best, computer programming a form of composition – like writing, music composition, painting, sculpting, or dancing. A handful of carefully designed assignments does not make one a computer programmer any more than it produces authors, musicians, or artists.

Computer programming mediates a conversation between the person and herself. Skills and habits of mind emerge from acts of creation, development, and debugging. One might think about this in terms of the purest forms of project-based learning where the project is a teacher’s smallest unit of concern and students are free to lose themselves in the process of realizing something that matters to them.

Great expertise is developed by identifying things that bother you, a laser-like focus on overcoming that obstacle, and the emergence of a new thing that bothers to you as you approach your temporary goal. This phenomena maps perfectly to the process of programming and debugging. It also matches a young person’s remarkable capacity for intensity while mirroring the writing process and other forms of composition.

Show kids a primitive or two and see what they can do with it. The genius of “Logo family” languages, like MicroWorlds, Lynx, Scratch, Snap!, TurtleStitch, Beetleblocks,  Turtle Art, or perhaps even MakeCode is that seemingly infinite world of complexity can be realized with a handful of commands or blocks. With forward and right, you can draw anything in the universe. New commands, reporters, variables, conditionals, and control structures may be introduced to students as they need them. Programming elegance results from constraints or experience. Since microcomputers are no longer limited to 4K of RAM, “efficient” code becomes less of a necessity and more of an aesthetic quality that develops over time.Allowing kids to program in their own voice allows them to concretize abstractions and solve problems while developing programming prowess.

The Piagetian adage, “knowledge is a consequence of experience,” is certainly true for programming. The more you program and the longer you stare at the screen of what you are programming, the better you will become at it. Schools that “or a little bit of Scratch” or celebrate “Hour of Code” trivialize the power of programming. Engaging in the false complexity associated with teaching a new programming language every year (or faster) is also likely to deprive students of the exhilarating feelings that result from your program meeting or exceeding your expectations. Programming should be like learning to write, compose, make cinema, dance, etc…

Above all else, quality work takes time. What’s your hurry?

PS: Computer programming requires computers.

• • •

Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroomand the founder of the Constructing Modern Knowledgesummer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary here.


Get started learning to program by programming at Constructing Modern Knowledge 2020!

Snap! is a block based language created by the University of California at Berkeley and used in their first year computer science courses, as well as the high school AP Computer Science Principles Beauty and Joy of Computing curriculum. You might think of as Snap! as Scratch‘s older wiser cousin – perfect for learning computer science, engaging in more mathematical programming, and creating more complex coding projects.

For years, I have believed there to be an assortment of sophisticated programming projects that should be part of every child’s educational experience. Writing a program to graph a linear equation supports timeless algebraic curricula and is an excellent introduction to0 software design. Best of all, it is an opportunity to communicate the formalisms of algebra to the computer. By teaching this to the computer, students better understand the mathematics. When you learn that you can program your own tools, you are inspired to engage in even more sophisticated mathematical explorations.

I’ve done similar projects in Logo and MicroWorlds over the past years.

This project is possible in Scratch (with barely any modifications), but the next project, generating an X Y table for a linear equation is not. Therefore, I decided to use Snap! in the context of the 7th grade class I taught today.

Here you may download and use the handout based on my classroom experience with kids. I attempted to commit the process to paper. I will likely create a handout for creating the X Y table too. In the meantime, can you figure out how to do it yourself?

[Note: I declare what Y equals rather than just inserting the equation into the y coordinate in order to make the y = …x clearer for kids]


Gary S. Stager, Ph.D. is an award-winning teacher educator, speaker, consultant and author who is an expert at helping educators prepare students for an uncertain future by super charging learner-centered traditions with modern materials and technology. He is considered one of the world’s leading authorities on learning-by-doing, robotics, computer programming and the maker movement in classrooms. Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the first online graduate school programs. Learn more about Gary here.


Coding & Physical Computing Masterclasses in California!

I’ve been meaning to share this project idea with Josh Burker, author of The Invent to Learn: Guide to Fun and the Invent to Learn: Guide to More Fun books, for more than a year.

While on one of the fabulous London Walks tours (I’ve done dozens of them) of Chelsea in London last year, I learned that before houses had street numbers assigned to them, people shared cards with a rendering of their home’s fanlight depicted on it. This practice dates back to 1720.

The function of the fanlight is to light a home’s entry way, but many of London’s upscale townhouses feature a semicircle shaped fanlight in which a geometric pattern exists. Each pattern needs to be different, at least in a particular neighborhood, in order to depict the occupants of the home for deliveries and visitors. Below are some of the photos of fanlights I took while walking around Chelsea.

Here’s the project idea…

  • Use your favorite dialect of Logo (Turtle Art, SNAP!, Scratch, etc…) to design a unique fan light. Teachers may support the activity by providing the code for drawing a uniform semicircle in which each student’s fanlight pattern must fit.

Extension

This is a good project for employing the concept of state transparency; in programming as in life, it is a good idea to return to where you started. Returning the turtle to its initial starting position and orientation allows you to repeat the pattern elsewhere on the screen and perform various transformations on it.

Try these challenges

  • Use Logo/MicroWorlds/SNAP!/Scratch to program the turtle to draw a row of townhomes with different fan lights in each window.
  • Change the scale of your entire neighborhood.
  • Change the scale of your fanlight window without altering its shape.
  • Allow the user to specify the scale of the fanlight and draw it to that scale.
  • Create a more abstract illustration using your fanlight in different ways.

That’s it!

Happy programming



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Gary S. Stager, Ph.D.is an award-winning teacher educator, speaker, consultant and author who is an expert at helping educators prepare students for an uncertain future by super charging learner-centered traditions with modern materials and technology. He is considered one of the world’s leading authorities on learning-by-doing, robotics, computer programming and the maker movement in classrooms. Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the first online graduate school programs. Learn more about Gary here.

Two-Day Seminars with Will Richardson in October 2019 in DC, NJ, & Boston – Register today!

Checking-in on teachers working on a robotics project during an Invent To Learn workshop

A reporter for an Australian education magazine recently sent
interview questions about robotics in education, including the obligatory question about AI. The final article, when it runs, only grabs a few of my statements mixed in amongst the thoughts of others. So, here is the interview in its entirety. Of late, I have decided to answer all reporter questions as if they are earnest and thoughtful. Enjoy!

Q: With the current focus on STEM, and the increasing need to engage students in hands-on STEM learning, what sort of potential exists for the teaching of robotics in the classroom?

GS: Piaget teaches us that “knowledge is a consequence of experience.” If we believe that learning by doing is powerful, learning-by-making concretizes and situates powerful ideas. Robotics is one such medium for learning-by-making in a fashion that combines the actual use of concepts traditionally taught superficially or not at all.

In a learner-centered context, robotics adds colors to the crayon box. If in the recent past, seven year-olds made dinosaurs out of cereal boxes, now their cereal box dinosaurs can sing, dance, or send a text message to their grandmother, as long as state law still allows dinosaurs to use cellphones in schools.

Reggio Children’s Carla Rinaldi working with Aussie educators Prue & Stephanie at Constructing Modern Knowledge

Q: How important has robotics become in preparing students for the jobs of the future?

GS: Less than learning to play the cello, love theatre, or understand the importance of Thelonious Monk, the labor movement, or women’s history in a contemporary democracy.

A scene from one of my family workshops (click to zoom)

Q: Do you think skills such as coding and programming will become just as important as learning Math and English in coming years?

GS: Such questions reveal how powerful ideas are often reduced to fads and buzzwords in a zero-sum notion of schooling. While it surely the case that any new idea introduced in schools runs the risk of stealing time and attention from something else, robotics is an interdisciplinary medium for expression, like drawing, painting, writing, composing

If our goals were as modest as to increase understanding of the decontextualized and often irrelevant nonsense found in the existing Math curriculum, kids would learn to program and engage in physical computing projects. The only context for using and therefore understanding many Math concepts is in computing activities. Absolute value on paper is a useless piece of vocabulary. If you are trying to design a robot to navigate an unfamiliar terrain or get your rocket ship to land on a planet in the video game you programmed, a working understanding of absolute value comes in quite handy.

For much of my generation, DNA is three letters representing three words I can neither remember or pronounce, plus that squiggly thing I don’t understand. Advances in technology now make it possible for year seven kids to manipulate DNA. I bet those kids will have a different relationship with genetics than previous generations.

Q: What sort of an impact does teaching the fundamentals of robotics have when it comes to possible career pathways for students?

GS: I don’t know and I do not trust anyone who claims to know the future of employment. Schools make a terrible mistake when they see their purpose as vocational in nature. The sorting of kids into winners and losers with career pathways determined by some artificial school assessment should be relegated to the dustbin of history. How well did the Hawke Government do at predicting the impact of social media? Schools should prepare children to solve problems that none of their teachers ever anticipated. Schools should do everything possible to create the conditions in which children can become good at something, while gaining a sense of what greatness in that domain might look like. The “something” is irrelevant. Currently, academic success has little to do with the development of expertise.

I have three adult university educated children. The only one to live on her own, with employment, and health insurance since the minute she graduated, was the art major. She enjoyed a fabulous well-rounded liberal arts education.

Q: Do you think schools are typically placing enough of an emphasis on robotics, coding, programming and artificial intelligence? Or do we still have a long way to go in embracing this technology in schools, particularly in Australia?

GS: In a wealthy nation like Australia (or the United States), every child should have their own personal multimedia laptop computer (30 years after Australia pioneered 1:1 computing) and they should learn to program that computer and control external devices not because it might lead to a job someday, but because programming and physical computing (a term preferable to robotics) are ways of gaining agency over an increasingly complex and technologically sophisticated world.

Programming and robotics answer the question Seymour Papert began asking more than fifty years ago, “Does the computer program the child, or the child program the computer.” In an age of rising authoritarianism and “fake news,” learner agency is of paramount importance.

The first schools in the world where every kid owned a personal portable computer, used them for programming and robotics was in Australia!

Coding and programming are the same thing. As a proponent of high-quality educational experiences, I recommend programming and robotics as incubators of powerful ideas. AI largely remains science fiction. Its contemporary uses in education are dystopian in nature and should be rejected.

A scene from one of my family workshops

Q: When it comes to the teaching of STEM in schools, and particularly robotics, how well do you think Australia is placed compared to other countries? And, are our schools doing enough to prepare students for future jobs?

GS: International education comparisons are immoral and needlessly based on scarcity. In order for Australian students to succeed, it is unnecessary for children in New Zealand to fail. Competition in education always has deleterious effects.

A scene from one of my family workshops

Q: Do you think enough is being done in educating our future teachers about the importance of STEM and robotics during their tertiary education?

GS: No. The art of teaching and everything but curriculum delivery and animal control has been sadly removed from teacher preparation. Teachers taught in a progressive tradition see robotics as mere stuff and use it with ease and without specialised instruction.

Q: What are some of the steps schools can take to upskill their teachers in robotics? And how important is it to ensure teachers are appropriately skilled in teaching robotics?

GS:

  • Stop viewing robotics narrowly through the lens of robotics competitions where one rich school builds a truck to kill another rich school’s truck. Competition also has a prophylactic impact on the participation of girls.
  • Expand your notion of robotics more broadly as physical computing and see the whimsical, playful, beautiful projects shared in our book, Invent To Learn,this library of project videos (http://cmkfutures.com/competent-teachers/), the Birdbrain technologies video library (https://www.youtube.com/channel/UCxjgGxBG2QhymwC2FHpt3zw), and the work being done with the micro:bit around the world
  • Most importantly, schools need to embrace project-based learning, not as the pudding you get after suffering through a semester of instruction, but as the primary educational diet. Once that occurs, the power of robotics/physical computing as a vehicle for personal expression becomes self evident.

A scene from one of my family workshops (click to zoom)

Q: What are some of the ways teachers can incorporate robotics into the Australian Digital Technologies Curriculum?

GS: By doing something. There are remarkable new materials available like the Hummingbird Bit Robotics Kits, (https://inventtolearn.com/bit/) but schools have now had access to kid-friendly robotics kits from LEGO since 1987.

I also recommend placing teachers and parents in meaningful hands-on experiences such as my family workshops described at http://stager.tv/blog/?p=4452, or the Constructing Modern Knowledge institute.

A scene from one of my family workshops (click to zoom)

Q: In coming years, how much of an emphasis do you think will be placed on robotics education in schools?

GS: Fads fizzle. One’s ability to control computational devices will only increase in importance.

Q: Is there anything else you’d like to comment on?

GS: The voluptuous Australian national curriculum in design and technology should be replaced by Seymour Papert and Cynthia Solomon’s pithy 1971 paper, “Twenty Things to Do with a Computer.”


Gary S. Stager, Ph.D.is an award-winning teacher educator, speaker, consultant and author who is an expert at helping educators prepare students for an uncertain future by super charging learner-centered traditions with modern materials and technology. He is considered one of the world’s leading authorities on learning-by-doing, robotics, computer programming and the maker movement in classrooms. Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the first online graduate school programs. Learn more about Gary here.

Two-Day Seminars with Will Richardson in October 2019 in DC, NJ, & Boston – Register today!

Marvin Minsky & Gary Stager

One great joy of my life has been getting to know and work with so many of my heroes/sheroes. Even greater satisfaction comes from sharing those people with my fellow educators, via books, presentations, and the Constructing Modern Knowledge summer institute.

Over dinner thirty years ago, one of my mentors, Dan Watt dropped some wisdom on me when he said, “writing is hard.” Writing is hard. I find sitting down to write is even harder. The reward of writing is your work being read by others, especially when readers report thinking differently as a result. Even the “hate mail” I received as a magazine columnist and editor made the agony of writing worthwhile.

While proud of many things I have written, three pieces stand out as enormous honors. Being asked by the science journal of record, Nature, to author the obituary of my friend and mentor, Dr. Seymour Papert, was a difficult challenge and great privilege. Learning later that the great Alan Kay recommended me for the assignment took my breath away. I will remain forever grateful for his confidence in my ability to eulogize our mutual friend in such an august journal.

On two other occasions, I have been invited to contribute to books by my heroes. A few years ago, the prolific progressive author and educator, Herb Kohl, asked me to write a response piece to the great musician, David Amram, for the book, The Muses Go to School: Inspiring Stories About the Importance of Arts in Education. My fellow contributors include Bill T. Jones, Bill Ayers, Whoopi Goldberg, Deborah Meier, Diane Ravitch, Phillip Seymour Hoffman, Lisa Delpit, Maxine Greene, and others. Many readers may be unaware of my music studies and the fact that my career began as a public school arts advocate. Sharing anything, let alone a book, with the remarkable Herbert Kohl remains a source of enormous pride. This is an important book that should receive greater attention.

I first met Artificial intelligence pioneer, Marvin Minsky, in the late 1980s. I cannot say that I spent a great deal of time with him over the subsequent decades, but anyone who ever encountered Marvin can testify to the impact that I had on them, perhaps down to the molecular level. The fact that Marvin agreed to spend time leading a fireside chat with any interested educator at the first eight Constructing Modern Knowledge institutes continues to blow my mind. I will forever cherish his wit, wisdom, friendship, and generosity.

Inventive Minds: Marvin Minsky on Education is a brand new book based on essays by Dr. Marvin Minsky, one of the great scientists, inventors, and intellectuals of the past century. Our mutual friend, Dr. Cynthia Solomon, a hugely important figure in her own right, edited a text in which important essays by Minsky were assembled and responded to by an amazing collection of Marvin’s friends. One of Marvin’s proteges, Xiao Xiao, illustrated the book. The contributors to this book include:

  • Co-inventor of the Logo programming language, Cynthia Solomon
  • Father of the personal computer, Alan Kay
  • Legendary computer science professor, author, and pioneer of the Open Courseware movement, Hal Abelson
  • Former Director the MIT Media Laboratory, Walter Bender
  • Artificial intelligence pioneer and MIT professor, Patrick Henry Winston
  • Software engineer, inventor, and executive, Brian Silverman
  • Software engineer, Mike Travers
  • Haptics engineer and scientist, Margaret Minsky
  • Me

I can’t speak for my contribution, but am confident that Inventive Minds will stimulate a great deal of thought and dialogue among you and your colleagues. Buy the book and enjoy some great summer reading!


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary here.

In August 2018, I delivered the opening keynote address at the Constructionism Conference in Vilnius, Lithuania. When invited to speak at the conference nearly eighteen months earlier, I felt pressured to share the topic of my address quickly. Since I do some of my best work as a wiseass, I offered the title, “Making Constructionism Great Again.” Over the ensuing months, my tongue-in-cheek title began resonating and formed the basis for what I believe to be one of my favorite keynotes ever. (Sadly, I will unlikely ever give the presentation again. Therefore, I will not have the opportunity to improve upon my performance)

Despite the title I selected, I accepted the sober challenge of making an important contribution to the conference. After all, this is a community I care about, a topic I have dedicated my adult life to, in the home of my ancestors. Due to a family emergency, the speaker scheduled before me had to fly home and my talk got moved earlier in the schedule at the last minute. That meant that some of the people I hoped would hear my message, missed it. I rarely write a speech with specific audience members in mind, but I did in this case.

A bit of background

The Constructionism Conference is held every two years, almost always in Europe. The conference prior to Vilnius was in Thailand, but that was the only time the conference was outside of Europe. For close to three decades, the conference was called, EuroLogo, and was a biennial event celebrating the use of the Logo programming language in education. In 2008, the long-time organizers of the conference worried that interest in Logo was waning and that shifting the emphasis to constructionism (1) would broaden the appeal and attract more participants. It has not. Communities begin to die when they become self-conscious. There is nothing wrong with “preaching to the converted.” There are quite successful institutions that preach to the converted. Its members find strength, nourishment, and purpose in gathering.

In my humble opinion, the problem lies within the fact that the European Logo community, and this is a generalization, focused more narrowly on the fascinating mathematical or computational aspects of the Logo programming language separate and apart from its more radical use as an instrument of school reform, social justice, and epistemology. Logo’s father and inventor of “constructionism,” Dr. Seymour Papert was a noted mathematician and computer scientist who did invent the first programming language for children, but limiting the enormity of his vision to that would be like one of his favorite parables about the blind men and the elephant.

To me, the Constructionism/EuroLogo community has been focused on what is measurable and earns academic credit for those seeking job security in university systems proud of their ongoing medieval traditions. Although I have great friends who I love, respect, and adore within this somewhat dysfunctional family, I am never sure what they make of the loud American kid who works with thousands of teachers each year and doesn’t give a damn about publishing journal articles read by 3.1415927 people.

I go to the Constructionism Conference every two years because it is important to sustain the community and ideally to help it mature. If it became more popular or influential along the way, that would be a bonus. This speech was intended as a bit of unsolicited tough love, but love nonetheless. In fact, love is a big theme in this address. That is one of the most important lessons I learned from Seymour Papert and this Constructionism Conference was the first since his death.

I hope you will watch

Thankfully, I grabbed the SD card out of the video camera sitting in the theatre pointed at the stage following the talk so there is a video documenting a talk I am proud of and wish I could give many more times. The audio quality isn’t perfect and there is no camera work (except for a couple of quick edits I made). That said, if you want to understand who I am and why I do what I do, I hope you will watch this video. It was quite an emotional experience.

If you wish to listen to it while deep sea folk dancing, please WATCH from about the 46 minute mark. You need to see, hear, and feel what great teaching and learning look like.

(1) For those of you interested in learning more about constructionism, you could read our book, Invent to Learn: Making, Tinkering, and Engineering in the Classroom or Edith Ackermann’s splendid papers, her Constructionism 2010 paper, Constructivism(s): Shared roots, crossed paths, multiple legacies or Piaget’s Constructivism, Papert’s Constructionism: What’s the difference?


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary here.

For decades, I have marveled at the vehemence with which seemingly reasonable adults defend not teaching kids to program computers. Aside from the typical (and often dubious) justifications popularized by politicians, Hour of Code, and the Computer Science for All community, I know how learning to program in the 7th grade was an intellectual awakening that has served me well for more than four decades.

So, when #1 Canadian, Dean Shareski, posed the following tweet, I decided to take “his” question seriously and offered to speak with him about the top online. Then another person I don’t know, Shana White, called in.

I hear some suggest everyone should learn to code. Ok. But should everyone learn basic woodworking? electrical work? cooking? plumbing? automotive? Those are all good things but is time part of the issue? How do all these good things get taught? Just thinking out loud.— Dean Shareski (@shareski) September 10, 2018

For what it’s worth, some of y0u might find the conversation interesting or just use it to lull yourself to sleep.

You may listen to or download the podcast here.

#basta


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary here.

 

An old colleague, Dr. Warren Buckleitner, has been reviewing children’s media products and toys for decades. He organizes industry events about the design of products for kids while maintaining a romantic optimism that the next great app is just around the corner. However, he often feels compelled to use Dr. Seymour Papert as a negative example to support a corporate community that Papert held in great repute. It’s a neat rhetorical trick, but Warren and I have discussed what I find to be a disrespectful view of Papert in the past. This morning, I awoke to find the Children’s Technology Exchange newsletter in my inbox. The latest issue dedicates a page to something Dr. Buckleitner calls “Seymour Syndrome.”

So, I decided to set the record straight by clearing up some confusion about issues raised in his essay. (I deleted the table of content links and all of the non-relevant content in the newsletter email below in order to respect the paywall and intellectual property rights. For more information, or to subscribe to his fine publications, go to http://reviews.childrenstech.com/)

Dear Warren,

Your latest discussion caught my eye. Aside from a persistent Papert animus and fondness for negative alliteration, your critique, “Seymour Syndrome” has some bugs in it.

  1. Papert’s lifework can hardly be reduced to the foreword in Mindstorms.
  2. Dr. Papert would dislike most of the crappy “products” you feel compelled to share with the world as much, if not more so than you do. (see Does Easy Do It? Children, Games and Learning)
  3. There is not a millimeter of daylight between Piaget and Papert. (see Papert on Piaget)
  4. Piaget’s work wasn’t about hands-on, it was focused on learning through concrete experiences. That’s not the same thing. (See The Conservation of Piaget: The Computer as Grist to the Constructivist Mill or even Ian’s Truck.)
  5. Papert was not Piaget’s student. Papert had earned two mathematics Ph.D.s by the time Piaget hired him as a collaborator.
  6. What is considered “getting kids to code” today is a denatured view of Papert’s vision about democratizing agency over computers.
  7. I’m not sure what a direction variable is, but 1) kids play games and sing songs using syntonic body geometry (like the turtle) from a very early age and 2) lots and lots of kids can use RIGHT and LEFT to learn directionality long before they’re eight or nine years-old.
  8. Papert’s “gear” story is a metaphor. His life’s work was dedicated to creating the conditions in which children could fall in love with powerful ideas naturally and with lots of materials, technologies, and experiences. His book, The Children’s Machine: Rethinking School in the Age of the Computer, discusses the importance of sharing learning stories.
  9. Papert wasn’t “led to Logo.” He, along with Wally Feurzig and Cynthia Solomon invented Logo. The fact that you’re still talking about it 50 years later points to at least its durability as an “object to think with.” (Here is a video conversation about Logo’s origins with two of its inventors.)
  10. Scratch can be considered Papert’s grandchild. I’m glad you like it.
  11. Most of the products you review make “exaggerated” claims about their educational properties. Why should this one be any different? Why blame Papert? (Dr. Papert wrote an entire book of advice for parents on avoiding such products and substituting creative activities instead. See The Connected Family – Bridging the Digital Generation Gap)
  12. The current CS4All, CSEdWeek, Hour-of-Code efforts are almost entirely “idea averse” (a great Papert term) and could really stand to learn a few things from Dr. Papert.

BTW: Thanks for your review of the CUE robot. It was helpful. Imagine if these toys had the extended play value of a programming language, like Logo? I’ve been using and learning with Logo for close to 40 years and have yet to tire of it. I sure wish you could have seen me teach Logo programming to 150 K-12 educators last week in Virginia. It was magnificent.

Happy holidays!

Gary

PS: I wonder why so many people feel so comfortable calling Dr./Professor Seymour Papert by his first name? Nobody calls Dewey, “John,” or Piaget, “Jean.”

On December 7, 2017 at 8:31 AM Children’s Technology Review wrote:

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RECOGNIZING SEYMOUR SYNDROME
See page 4 Recognizing “Seymour Syndrome”  Seymour Papert was a gifted individual. I mean no disrespect to his legacy by this article. I’ve seen how his ideas about children and coding have misled well-intentioned adults in the past.  Fast forward 40 years, and history is repeating itself. From reading Seymour Papert’s 1980 book, Mindstorms, we learn that he was fascinated by gears as a child. “Playing with gears became a favorite pastime. I loved rotating circular objects against one another in gearlike motions and, naturally, my first ‘erector set’ project was a crude gear system.” Papert wanted every child to have such mindstorms, which led him to Logo; an early programming language. Throughout the 1980s and early 1990s, many educators suffered from “Seymour Syndrome” — meaning an idealistic optimism that coding was the key to a better future. There was a rush to enroll children in coding camps. I know this because I was one of the teachers. I started calling all the hype “Seymour Syndrome” people trying to get young children to code, before they can understand what is going on. Today’s market has once again flooded with commercial coding-related apps, robots and games being sold with the promise that they can promote science, technology, engineering and math (STEM). Cubetto is one of these. The symptoms are in the marketing materials that name-drop Montessori, and claim that time with this rolling cube will  “teach a child to code before they can read.” Cubetto’s coding means finding six AA batteries and plotting out the course of a slow moving rolling cube on a grid. You do this by laying direction tiles on a progress line and pressing a transmit button.  I shudder to think that teachers are spending time attempting to “teach” children how to “code” thinking that this actually as something to do with “teaching” children how to “code” to fulfill a STEM objective. Students of child development know that preschool and early elementary age children learn best when they are actively involved with hands on, concrete materials. Papert’s teacher — Jean Piaget called the years from 3 to 7 “concrete operations” for a reason. The motions of the cube should be directly linked to the command, or better yet, the child should be in the maze, for a first-person point of view. ‘ Good pedagogy in the early years should be filled with building with blocks, playing at the water table filling and emptying containers, moving around (a lot) and testing language abilities on peers. If you want to use technology, get them an iPad and let them explore some responsive Sago Mini apps. Spend your $220 (the cost of a Cubetto) on several a low cost, durable RC vehicles that deliver a responsive, cause and effect challenge. Let the direction variables wait until the child is eight- or nine-years of age, when they can use a program like Scratch to build an entire program out of clusters of commands. As far as the “coding” part, save your pedagogical ammo for materials that match a child’s developmental level.

LITTLECLICKERS: PROJECTION MAPPING
Do you like to play with shadows? If so, you’ll love projection mapping. That’s when you use a computer projector to create a cool effect on a ceiling or building. Let’s learn some more.   1. What is projection mapping? According to http://projection-mapping.org/whatis/ you learn that it’s simply pointing a computer projector at something, to paint it with light. You can play a scary video on your house a Halloween, or make Santa’s sled move across your ceiling during a concert. The possibilities are endless. Visit the site, at www.littleclickers.com/projectionmapping


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About the author

Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He is also the curator of the Seymour Papert archive site, The Daily Papert. Learn more about Gary here.