There are a lot of discussions underway about what school will or should look like when face-to-face sessions resume. Sadly, the images of teachers barking commands from meters away at children in cells bolted to the floor six feet apart are as pedagogically toxic as they are medically perilous.

Ann Wang/Reuters – Lovingly borrowed from https://nationalpost.com/opinion/post-covid-19-classrooms-what-if-keeping-your-distance-becomes-the-new-school-normal

It is amazing how school leaders and districts can always seem to find rainy day money to invest in terrible ideas without a second wasted on considering the consequences of such actions. I realize that you are in a hurry to reopen schools, but are you investing for the future or reacting out of panic?

I remember several years back when virtual reality was being hyped by educator members of the Shiny Object Club flitting from one new scheme to another. Folks desperate to justify whatever they thought VR is would ask, “What do you think about virtual reality in schools?” My answer would always be, “Isn’t that redundant?

Surprisingly to some, the online world may provide greater opportunities for intimacy, collaboration, conversation, and learning-by-doing. It is the mechanical stuff long overvalued by school – reading quietly, answering questions, worksheets, quizzes, tests, studying – that are much better suited for the virtual world.

You know who I rarely, if ever, see featured in the articles, books, podcasts, pronouncements, panel discussions or prognostications of the futurists “helping” schools prepare for the “new normal?” Music, art, or drama teachers. Why must the future be so colorless and dystopian?

The simple truth is that band was the only thing we did not have at home that justified my kids going to school. Schools tend to undervalue the things to which they actually add value.

When pressed to defend investment in art, music, drama programs (a justification only ever sought after for things kids enjoy), the affirmative arguments often evoke the words of Dickensian shopkeepers. Students in art and music classes do better on standardized tests or get into better colleges or crush the lesser kids. Even those with nobler objectives argue that art, music, and drama programs motivate kids to stay in school and give them purpose. While certainly true, those reasons are also in service of the system. How about investing in performing arts programs with qualified teachers within the curricular day because what students experience in those classes are the things that make us human, nurture democracy, and sustain civilization? To quote the late NEA Jazz Master Jimmy Heath, “What was good, is good.”

This is not small stakes. I write this as fiery protests burn in cities across the United States in the wake of the latest racist police officer killing of an African American. It is a safe bet that kids in the high school jazz band or production of “Fiddler on the Roof” are not out looting a shoe store. They may even vote to support school budgets when they become adults.

Today’s feed

I have been battling for public investments in performing arts education for thirty-eight years (a tale for another article), but today I saw something so deeply moving on Facebook, that its importance motivated this article.

One of the world’s finest vocalists, Kurt Elling, shared a video of a high school choir from Boulder, Colorado performing an adapted version of his arrangement of Paul Simon’s American Tune. Despite their social isolation, a work of high-quality art was produced on iPhones by students who learned to sing together in school. The special poignancy of the performance is heightened by today’s milieu. Even if these young people did not learn to sing in school, this is where they learned to sing songs by Paul Simon like Kurt Elling and to be part of something bigger than themselves. It also happens to sound great.

Excalibur (2019-20) Fairview High School Boulder, CO Janice Vlachos, director

A cursory Google search revealed that Fairview high school does not just have a choir, it is blessed with nine of them! It has at least three orchestras and a jazz band as well. They employ multiple art teachers as well. Their community undoubtedly values the arts as an integral part of the educational experience and invests accordingly while other schools share YouTube videos of how there’s music in math (Look, they’re counting!) or math in art (Can you see the triangles?). What this school choir has created is so much more profound than the viral videos of one kid jamming in their room, no matter how talented that kid happens to be.

The music education professionals in this school community have pulled off something impossibly hard as arts teachers are often called upon to do. The result is everything that justifies the future viability of public education.

This investment in kids learning to do something well together, including the cost of arrangers and editors to produce this video, sends students the message that they are loved and much is expected of them. Doesn’t every student deserve that?


Note: Having the audacity to point out that arts programs are under appreciated or underfunded immediately provokes school librarians and teachers of other subjects to exclaim their deprivation.  The race to be the most aggrieved by so many educators is disempowering and counter-productive. We must unite to create and advocate for a modern liberal arts education for every child.


Official video of Kurt Elling’s recording of American Tune

The following is the post on Kurt Elling’s Facebook page. It tells the backstory of remarkable high school video (above).

EXCALIBUR’s deeply moving performance of American Tune is emblematic of these times under lockdown. These talented Fairview High School Choirs students from Boulder, CO – isolated from each other – sang into their phones and the finished result is amazing!

Choir director JANICE VLACHOS had commissioned KERRY MARSH to arrange KURT ELLING’s version of American Tune for Excalibur to perform this school year.

JANICE VLACHOS reflected, “The lyrics hit so deep on this one and it was a comfort all year long to us knowing that there have been times the world has felt in turmoil and that we’ve been in this place before. The words ‘it’s alright, it’s alright’, have been soothing to all of us. We sang this song multiple times throughout the year and we were planning on singing it at the last concert, and then coronavirus hit.

“We walked out of school on March 12th and never returned. We were heartbroken on so many levels – the global consequences of the virus and in our own small world of not being able to singing together. We were also saddened to realize we didn’t have a great recording of American Tune. So we recorded it on our phones, and Kerry Marsh mastered it for us beautifully. I often find myself thinking of the lyrics as I’m searching for solace during this time.

Arranger KERRY MARSH notes, “I feel that this is one of the most important arrangements I’ve written thus far in my musical career, frankly. Based on the transcendent recorded version by Kurt Elling, and arranged during the most uncertain time in at least my own lifetime, this prescient Paul Simon composition connects with our modern times in a way that a typical ‘chart description’ is not fit to articulate. Its meaning, as it may relate to the current gaping political divide in the U.S. (mirrored in many countries worldwide, certainly) or certainly the 2020 Coronavirus pandemic, will be best communicated by each group that performs it.

“These young musicians (and their director) are absolutely amazing. It was humbling to work on this, and [my partner] Julia Dollison and I shed buckets of tears throughout the process. Really proud of what they’ve accomplished with this and everything else, and confident that this currently messed up world is in very capable hands when these folks take charge.

“As a part of the celebration of their releasing this, I’ve just made this chart available at KerryMarsh.com. Kurt Elling’s version (arranged by Christian Elsässer) was an incredible source of inspiration to work from. Paul Simon’s composition has proved timeless…would that it weren’t so, actually. But these students, in their interpretation of his lyric, provide great hope.

Fairview HS Orchestra director DAVID RUTHERFORD adds this behind-the-scenes perspective:

“Your experience is this: For 7 minutes you watch all their beautiful faces, all together, side-by-side, shining at you with all the love of singing they’re known for. Your heart overflows with the beauty of the music piped through your earbuds. And you smile and say, ‘Beautiful!’

“But think about the experience for each student in the creation of the video. Alone, listening to a click track and accompaniment. No blend. No harmony. Multiple takes because of all the silly imperfections one begins to focus on in a myopic environment like that. Am I in tune? Was I early? How is this vowel? Where is this cutoff? The insecurities never end.

“Then each video is sent off to the producer and engineer, who take all 26 videos and painstakingly line up the sound, which takes literally weeks to do in front of a computer screen. After hundreds of hours, finally, all the consonants are together, the imperfections in pitch have been tweaked out, the entrances and the cutoffs are perfect, and the quality of sound from an iPhone microphone has been processed to become nearly studio quality. Finally the video, after another week, presents those beautiful faces artfully for maximum effect when you watch and listen.

“Again for the students, there was no shared experience here. There was no ensemble. Look at each one of those faces and think about it from their perspective as they sing – the space past that black border is tragically empty.

“So how can they sound so good? Because they remember what it was like to sing together, and they recreate that in their minds. This is a song they had sung all year long – I performed it with them on several occasions. They know how it feels to sing it as an ensemble, to blend their voices into one, and oh my goodness do they know how to connect with an audience. So they sang at an iPhone screen, remembering all this, pretending they were together singing for you….

“Excalibur, thank you for this reminder of just how valuable music is to all of us. The tears on my face are real.”


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom, pubisher at Constructing Modern Knowledge Press, and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary.

A hole in the wall as science and public policy

By: Gary Stager
District Administration, May 2004
(archive)

A funny thing happened to me while in India (besides losing my luggage, teaching for three days on three hours sleep, and confronting an elephant in traffic). While speaking at a conference, I encountered another educator whose work blew my mind. Such an experience is a rarity at the dozen or so educational conferences I attend each year across America.

Dr. Sugata Mitra, a physicist from Indian think-tank NIIT, embodies the best features of a scientist, educator, tinkerer and dreamer. His social conscience led him to invent a novel approach to learning technology. The scientist in him designed controlled experiments to explain the remarkable phenomena he observed.

India is a populace nation with staggering poverty and majority illiteracy. Politics, religion and tradition conspire to create millions of poor people and slums unfit for the stray dogs who compete for food. Wealth and great poverty coexist side by side like two nations with diplomatic relations.One boy who uses the kiosk defined the Internet as, “That with which you can do anything.”

Mitra’s own campus was separated from the “other India” by a wall. He often sensed that the poor children watched his research community with the cell phones attached to their ears and funny bags hanging from their bodies disappear into a mysterious fortress.

“Hole in the wall”

Mitra inserted a PC monitor into the wall behind a pane of glass and alongside a touch screen. The computer had a high-speed Internet connection and was on nearly all of the time. No other intervention occurred. Before long, this “hole in the wall” attracted children from the community and a great educational experiment had begun.

A video camera trained on the children using the kiosk and computerized logs of what was done on the computer create a record of the children’s activities. Within a short period of time, children who speak one of India’s thousand languages other than English and who had never received any instruction in technology use were surfing the Web. More over, groups of children played online games and painted pictures with MS Paint. After being shown MP3 software, some children even managed to find music in Hindi to play.

The success of the first “Hole in the Wall” inspired Mitra to replicate the experience with kiosks across the economic, cultural and geographic diversity of India. Children in every case were able to demonstrate what we might call computer literacy without any curriculum, formal teaching or adult intervention. The “Hole in the Wall” children discovered and taught each other amazing things. Young children stand on the shoulders of others and direct the action. The hundreds of shortcuts often left on a kiosk computer offered evidence of such expertise. Mitra found that kiosk users managed to learn hundreds of English words and used their native language to describe computer functions. Most users were 6 to 12 years old. Adults did not make any attempt to use the kiosk.

Self-Service Education

Dr. Mitra describes his learning theory as minimally invasive education – a hypothesis that even in totally unfamiliar situations, children in groups will learn on their own with little or no input from others, provided the learning environment induces an adequate level of curiosity. Like in minimally invasive surgery there should be no more expert intervention than absolutely necessary.

This work proves that when provided with access to a computer in a social context, all children will become computer literate with or without a traditional teacher. Mitra’s careful experiments confirm the theories of Piaget and Vygotsky. Most of all, “The Hole in the Wall,” offers a glimmer of hope for concerned global citizens who do not know where to begin in increasing educational opportunity in the developing world. The “Hole in the Wall” project is a testament to the competency and capacity of children to construct their own knowledge in a community of practice. Internet access can connect children to each other and the 21st century.

Does your school really need that computer literacy class? Can your teachers celebrate the technological fluency of your students and build upon it in the design of richer tasks and more imaginative curricula? American schools are blessed with advantages most of the world cannot even ponder. The “Hole in the Wall” project demands that we do better by our students and do our part to change the world.

Gary Stager is editor-at-large and an adjunct professor at Pepperdine Univ.

I’ve managed to do some some writing during the plague. Thanks for reading and stay safe.

  1. This is Our Moment! 
  2. Let COVID-19 Kill the Pencil
  3. Time for Optimism
  4. Scratch and the Negligent Homicide of Mathland

 

I hope that anyone reading this is healthy and sane during this period of uncertainty. Teachers and kids alike are grieving over the loss of freedom, social interactions, and normalcy. Many families, even those never before considered at-risk, are terrified of the potential for financial ruin or catastrophic health risks. Since I’m all about the love and spreading optimism, I humbly share a silver-lining for teachers and the kids that they serve.

The fact that you are being told to “teach online” in some vague version of “look busy” may mean that teachers are finally being trusted. Districts large and small are abandoning grading as they recognize that education (at home) is inequitable. I guess it’s better late than never to discover the obvious.

Parents and superintendents are vanquishing the needless infliction of nonsense known as homework. Standardized testing is being canceled, an actual miracle. Colleges have recognized that enrolling students next Fall is more important than SAT or ACT scores. Each of these emergency measures has been advocated by sentient educators forever.

So, there is reason to celebrate (briefly), but then you must act! Use this time to remake schooling in a way that’s more humane, creative, meaningful, and learner-centered. This is your moment!

In the absence of compelling models of what’s possible, the forces of darkness will fill the void. Each of us needs to create models of possibility.

The fact that kids’ days are now unencumbered by school could mean that they finally have adequate time to work on projects that matter rather than being interrupted every 23 minutes. I recently wrote, What’s Your Hurry?, about teaching computer programming, but it’s applicable to other disciplines.

Project-based learning offers a context for learner-centered pedagogy. I was reminded that the new edition of our book, “Invent To Learn – Making, Tinkering, and Engineering in the Classroom,” includes several chapters on effective prompt setting that may be useful in designing projects for kids at home. Invent To Learn also lays out the case for learning-by-doing. Use that information to guide your communication with administrators, parents, and the community.

The following are but a few suggestions for seizing the moment and reinventing education after this crisis is resolved so we may all return to a new, better, normal.

Practice “Less us, more them”

Anytime a teacher feels the impulse to intervene in an educational transaction, it is worth pausing, taking a breath, and asking, “Is there less that I can do and more that the student(s) can do?” The more agency shifted to the student, the more they will learn.

One exercise you can practice teaching online, as well as face-to-face, is talk less. If you typically lecture for 40 minutes, try 20. If you talk for 20 minutes, try 10. If you talk for 10, try 5. In my experience, there is rarely an instance in which a minute or two of instruction is insufficient before asking students to do something. While teaching online, try not to present content, but rather stimulate discussion or organize activities to maximize student participation. Piaget reminds us that “knowledge is a consequence of experience.”

Remember, less is more

My colleague Brian Harvey once said, “The key to school reform is throw out half the curriculum – any half.” This is wise advice during sudden shift to online teaching and the chaos caused by the interruption of the school year.

Focus on the big ideas. Make connections between topics and employ multiple skills simultaneously. Abandon the compulsion to “deliver” a morbidly obese curriculum. Simplify. Edit. Curate.

Launch students into open-ended learning adventures

Learning adventures are a technique I became known for when I began teaching online in the 1990s. This process is described in the 2008 paper, Learning Adventures: A new approach for transforming real and virtual classroom environments.

Inspire kids to read entire books

Since the bowdlerized and abridged basals are locked in school, encourage kids to luxuriate with real books! Imagine if kids had the freedom to select texts that interest them and to read them from cover-to-cover without a comprehension quiz or vocabulary lesson interrupting every paragraph! Suggest that kids post reviews on Amazon.com for an authentic audience rather than making a mobile or writing a five-paragraph essay. Use Amazon.com or Goodreads to find other books you might enjoy.

Tackle a new piece of software

Been meaning to learn Final Cut X, Lightroom, a new programming language, or any other piece of sophisticated software? Employ groups of kids to tackle the software alone or together and employ their knowledge once school returns. Let them share what they know and lead.

Contribute to something larger than yourself

This is the time for teachers to support kids in creating big creative projects. Write a newspaper, novel, poetry anthology, play, cookbook, or joke book. Make a movie and then make it better. Create a virtual museum. Share your work, engage in peer editing, and share to a potentially infinite audience.

Check out what Berklee College of Music students have already done!

Teach like you know better

Use this time to rev-up or revive sound pedagogical practices like genre study, author study, process writing, interdisciplinary projects and the other educative good stuff too often sacrificed due to a lack of sufficient time. You now have the time to teach well.

Take note of current events

Daily life offers a world of inspiration and learning invitations. Why not engage kids in developmentally appropriate current events or take advantage of opportunities like JSTOR being open to the public during the COVID-19 crisis? Here’s a possible student prompt.

“Go to JSTOR, figure out how it works, find an interesting article, and share what you learned with the class.”

Let Grow

Change the world by challenging students to learn something on their own by embracing the simple, yet profound, Let Grow school project. A simple assignment asks kids to do something on their own with their parent’s permission and share their experiences with their peers.

Stand on the shoulders of giants

Every problem in education has been solved and every imaginable idea has been implemented somewhere. Teachers should use this time to read books about education written by experts and learn the lessons of the masters.

Take time to enjoy some culture

There is no excuse to miss out on all of the cultural activities being shared online from free Shakespeare from the Globe Theatre, Broadway shows, operas, living room concerts, piano practice with Chick Corea, and exciting multimedia collaborations. Many of these streams are archived on social media, YouTube, or the Web. Bring some peace, beauty, and serenity into your home.

The following are some links, albeit incomplete and subjective, to free streaming cultural events.

Apprentice with the world’s greatest living mathematician

In A Personal Road to Reinventing Mathematics Education, I wrote about how I have been fortunate enough to know and spend time with some of the world’s most prominent mathematicians and that while not a single one of them ever made me feel stupid, plenty of math teachers did. Stephen Wolfram is arguably the world’s leading mathematician/scientist/computer scientist. Over the past few years, he has become interested in teachers, kids, and math education. Dr. Wolfram spoke at Constructing Modern Knowledge, runs an annual summer camp for high school mathematicians, and has made many of his company’s remarkable computational tools available for learners.

Acknowledging that many students are home do to the pandemic this week, Wolfram led a free online Ask Me Anything session about an array of math and science topics, ostensibly for kids, as well as a “follow-along” computation workshop. You, your children, or your students have unprecedented access to all sorts of expertise, just a click away! This is like Albert Einstein making house calls!

A bit of exploration will undoubtedly uncover experts in other disciplines sharing their knowledge and talents online as well.

Abandon hysterical internet policies

The immediate need for laptops, Internet access, student email, plus the expedient use of available technologies like YouTube, FaceTime, Skype, Twitter, Instagram, and Zoom has instantly dispelled the hysterical and paranoid centralized approach to the Internet schools have labored under for the past twenty-five years. The Internet has never been dependent on the policies of your school or your paraprofessional IT staff to succeed. Perhaps we will learn what digital citizenship actually looks like after teachers and children are treated like modern citizens.

Heed Seymour Papert’s advice

When I worked with Seymour Papert, he created a document titled, “Eight Big Ideas Behind the Constructionist Learning Lab.” This one sheet of paper challenges educators to create productive contexts for learning in the 21st Century. Can you aspire to make these recommendations a reality in your classroom(s)?

Do twenty things to do with a computer

In 1971, Seymour Papert and Cynthia Solomon published, Twenty Things to Do with a Computer. How does your school measure up a half-century later?

Program your own Gameboy

Yes, you read that correctly. Here is everything you need to know to write your own computer games, build an arcade, or program a handheld gaming device!

Teach reading and programming simultaneously

Upper elementary and middle school students could learn to program in Scratch and develop their reading fluency at the same time. Learn how in A Modest Proposal.

Share my sense of optimism

Shortly before the COVID-19 crisis, I published, Time for Optimism, in which I shared reasons why progressive education is on the march and how we might teach accordingly. We can do this!

Wash your hands! Stay inside! Stand with children!


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary.

Prechewed Pencils

Today’s horrific health and economic crisis might have at least one educational benefit, students are “working” from home and like everywhere else in the past two generations, communication is largely via computer generated text, not manual handwriting.

Whenever I visit a school, I scan the environment, observe social interactions, and look for learning artifacts. Even while strolling around spectacular schools — the sort of institutions blessed with phenomenal facilities, grandiose grounds, well-stocked libraries, maker spaces, and performing arts centers — I sense reason for concern. The lower primary classrooms have examples, presumably of exemplary student work, adorning the corridor walls. Sadly, the displayed work fails to match the grandeur, quality, and expectations of the school. Por que?

Thanks to the technology of choice, the pencil, your average elementary school student will spend an inordinate amount of time filling a cleverly designed worksheet with two or three banal sentences. I truly lament the lost opportunities for children to create work commensurate with their creativity and intellect. The prophylactic barrier is the pencil.

How many learning disabilities are created by a six-year-old’s confusion between their ability to express one’s self and their physical prowess at etching letters with a primitive writing stick? The development of a child’s fine motor skills is much better suited to typing than handwriting. Few other intellectual pursuits require muscle development.

Word processing is the undisputed winner of the computer age. No serious writer under the age of a presidential candidate uses a writing stick for more than writing “not my fault” in Sharpie. Writers “write” on computers. Period. Full stop. Fin!

I harbor no doubt that the pencil has retarded literacy development. It spawned the five-paragraph essay, inauthentic “writing” assignments, and has made life unpleasant for teachers sifting through piles of student chicken scratch. The pencil has fundamentally limited the quality and volume of student writing. This is indisputable.

You learn to write by writing. When you waste several years teaching kids, not one, but two different styles of ancient stick scratching, you severely diminish opportunities for students to say something with coherence, persuasion, beauty, or personal voice.

Word processing makes it possible to write more, better, and quicker, while the editing process is continuous and fluid. You may still turn in X number of drafts to satisfy an assignment, but each of those drafts is the product of countless micro-drafts. Best of all, word processing eliminates another useless and ineffective subject of bygone eras, Spelling instruction! Bonus! #winning

Spare me the academic papers by tenure-track weenies at East Metuchen Community  College seeking to “prove” that handwriting instruction raises test scores or I will be forced to send you reams of scholarship on butter churning as an effective weight loss strategy or blood letting as an indicator of entrepreneurship.

I am sorry, but publishers of handwriting workbooks and providers of D’Nealian professional development may have to go and get themselves some of those clean coal jobs or find some other way to torture young people. The College Board may be hiring!

If you feel nostalgic about handwriting, offer a calligraphy elective. Now, your school will have an art class! The high-falutin handwritten International Baccalaureate a concern? Relegate penmanship to an 11th grade PE unit.

The only time I use a pen or pencil is when asked to autograph a copy of a book I composed on a computer. Banking is online, so no more check writing excuses. You can teach kids to sign their name on a greeting card for their great grandmother in a session or two and then say, “Aloha!” to Eberhard Faber. Spend the rest of elementary school how to think and engage in work that matters. Their lumbrical muscles will thank you and their intellectual development will no longer be limited by a Number 2 drawing stick.

Teachers, it’s time to say goodbye to your little friend… Pencils R.I.P


For those interested in “keyboarding instruction,” please read this literature review.


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary.

“Prechewed Pencils” by Bernie Goldbach is licensed under CC BY-NC-ND 2.0

Once a decade or so, the New York Times publishes a hysterical article about “the reading wars,” in which the argument for systematic phonics instruction is advanced. They just did it again in An Old and Contested Solution to Boost Reading Scores: Phonics. The article is a predictable mess.

The phonics phanatics are hard-core. One academic used to contact my former university and demand that I be terminated whenever I questioned the phonics gospel in my magazine column. That was in addition to sending scalding letters-to-the-editor.

In 2004, the entire editorial staff of the magazine I worked for was threatened with termination for questioning Reading First. Here’s another one I wrote in 2006.

To “commemorate” the latest discovery of the “reading wars”, I humbly suggest that journalists tackle the following questions.

Q1: Anyone remember when “whole language” was banned in California? Any journalist wish to follow-up on that legacy?

Q2: Why is “balance” virtuous? Can’t it be dangerous or wrong? In my experience, educational quests for balance result in the weeds killing the flowers. In education, “balance” can be not only simplistic, but cowardly and wrong. When schools seek “balance,” the weeds always kill the flowers.

Q3: Why does the defense of systematic phonics instruction remain a top priority of the religious right?

Q4: Why are the same people so often anti-science when it comes to issues like climate change or sexual orientation and yet cling to phonics instruction as scientifically proven?

Q5: Has there been any research or journalistic investigation (or even interview) about the evolution of Lucy Calkins’ work over time? I acknowledge her contributions, but have simple profound ideas become massive curriculum products? If so, what has been lost/gained?

Q6: Where is all of this “unbalanced” whole language influence emanating from? Please name the texts or teacher preparatory programs that have gone hog wild on non-phonics-based instruction. (Not excusing the batshit crazy, sloppy, silly, reading myths SOME teachers subscribe to.)

Q7: NAME A TIME OR PLACE IN THE POST-WAR (WW II) ERA WHERE PHONICS HAS NOT COMPLETELY DOMINATED READING INSTRUCTION. Doesn’t a “reading war” require actual combatants? One side has nuclear weapons and every White House, the other has Shel Siverstein.

Q8: How can you publish an article about the reading wars without any input from the seminal experts on the losing side? Where is the expertise of scholars such as, Frank Smith, Ken Goodman, Richard Allington, Herbert Kohl? I know you now how to reach Stephen Krashen. He writes letters-to-the-editor of the New York Times regularly.

Q9: How about writing an article in which lots and lots of experts do nothing but define “phonics,” “whole language,” “literacy,” “balanced literacy,” “reading,” and “instruction?”

Q10: If everyone learns to read by being taught a sequence of 43 phonemic sounds, how do you explain children reading in Israel, China, Japan, or other countries with non-phonemic languages. How can deaf people possibly learn to read without phonics>

I respectfully implore you to investigate the effects of an unconscionable lack of access to high-interest reading material in classrooms and school libraries in places like Los Angeles and Oakland. https://www.accessbooks.net/school-library-crisis.html

The world lost a giant of an educator on July 26th when Vivian Paley passed away at age 90. Paley was the only kindergarten teacher ever named a MacArthur genius. Her example as an educator, documented in her numerous moving and inspirational books, gave voice to young teachers. Her poignant shared self-reflection tackled poverty, racism, gender, power, peace, community, rejection, literacy, democracy, fantasy, play, and love in the classroom and beyond. Paley led through kindness, common sense, and an affection for the inner lives of children. Her work is relevant for educators and parents, regardless of the age of child you support.

“To her, teaching was not about meeting a bunch of core requirements that you can quantify; it was about being a human being.” – John Hornstein in the NY Times Obituary of Vivian Paley

I tried in vain to convince Ms. Paley to participate in Constructing Modern Knowledge, but she saw a photo of a computer on our web site and declined. My powers of persuasion were unpersuasive, even when I listed all of her friends who had participated in the past. I sure wish I could have shared Ms. Paley with our community.

In The Children’s Machine, Seymour Papert stressed the importance of sharing learning stories as a way of reforming education in a humane learner-centered direction. Vivian Paley was a master of documenting and sharing learning stories.

I strongly urge you to read several of the books listed below, but if you are allergic to books, listen to Vivian Paley on This American Life talking about how she allowed five year-olds to address issues of friendship, empathy, and even bullying with one simple rule, “You can’t say, you can’t play.” (11 minutes)

In The Classrooms All Young Children Need: Lessons in Teaching from Vivian PaleyPatricia Cooper authored a terrific analysis of analysis of Paley’s work as a “pedagogical model organized around two complementary principles: a curriculum that promotes play and imagination, and the idea of classrooms as fair places where young children of every color, ability, and disposition are welcome.” (Cooper, Patricia M. The classrooms all young children need: Lessons in teaching from Vivian Paley. University of Chicago Press, 2009.)

If you are an educator unfamiliar with the name Vivian Paley or her work, that is a great shame and diminishes your craft.

 

Vivian Paley authored thirteen books, here are my top five favorites.

Here is one more for good measure, A Child’s Work: The Importance of Fantasy Play.

“She helped children use the tools they have, which are imagination, sympathy and make-believe, to understand themselves and each other,” said Dr. Joshua D. Sparrow, executive director of the Brazelton Touchpoints Center in Boston, which studies child development. – NY Times Obituary of Vivian Paley

Check out all of Vivian Paley’s remarkable books on Amazon.com


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary here.

Either the principal IS a holocaust denier OR a cowardly knucklehead trapped in a zero-tolerance school setting where a misguided quest for “balance” is king.

If he is just an ignoramus (there are plenty of them with jobs), I might ask this hypothetical question. If the principal had refused to allow a debate on “slavery reparations” or “climate change,” would he lose his job?

Oh, and don’t pretend that schools don’t teach about the holocaust. In many cases, the subject receives so much instructional time that students (perhaps teachers too) just zone out. The teaching about the holocaust is just another example of the limits of instruction.

I wrote this article warning about the downside of “balance” 5 years ago. At the bottom of it is a link to an essential book chapter, “Extreme Ideas,” by Jonathan Kozol. I recommend both. I also recommend not contorting yourself into a pretzel to avoid all controversy in the classroom. This serves no one.

Note: If the principal is anti-semitic, a racist, or holocaust denier, then we should discuss his job security within the constraints of the First Amendment.


Marvin Minsky & Gary Stager

One great joy of my life has been getting to know and work with so many of my heroes/sheroes. Even greater satisfaction comes from sharing those people with my fellow educators, via books, presentations, and the Constructing Modern Knowledge summer institute.

Over dinner thirty years ago, one of my mentors, Dan Watt dropped some wisdom on me when he said, “writing is hard.” Writing is hard. I find sitting down to write is even harder. The reward of writing is your work being read by others, especially when readers report thinking differently as a result. Even the “hate mail” I received as a magazine columnist and editor made the agony of writing worthwhile.

While proud of many things I have written, three pieces stand out as enormous honors. Being asked by the science journal of record, Nature, to author the obituary of my friend and mentor, Dr. Seymour Papert, was a difficult challenge and great privilege. Learning later that the great Alan Kay recommended me for the assignment took my breath away. I will remain forever grateful for his confidence in my ability to eulogize our mutual friend in such an august journal.

On two other occasions, I have been invited to contribute to books by my heroes. A few years ago, the prolific progressive author and educator, Herb Kohl, asked me to write a response piece to the great musician, David Amram, for the book, The Muses Go to School: Inspiring Stories About the Importance of Arts in Education. My fellow contributors include Bill T. Jones, Bill Ayers, Whoopi Goldberg, Deborah Meier, Diane Ravitch, Phillip Seymour Hoffman, Lisa Delpit, Maxine Greene, and others. Many readers may be unaware of my music studies and the fact that my career began as a public school arts advocate. Sharing anything, let alone a book, with the remarkable Herbert Kohl remains a source of enormous pride. This is an important book that should receive greater attention.

I first met Artificial intelligence pioneer, Marvin Minsky, in the late 1980s. I cannot say that I spent a great deal of time with him over the subsequent decades, but anyone who ever encountered Marvin can testify to the impact that I had on them, perhaps down to the molecular level. The fact that Marvin agreed to spend time leading a fireside chat with any interested educator at the first eight Constructing Modern Knowledge institutes continues to blow my mind. I will forever cherish his wit, wisdom, friendship, and generosity.

Inventive Minds: Marvin Minsky on Education is a brand new book based on essays by Dr. Marvin Minsky, one of the great scientists, inventors, and intellectuals of the past century. Our mutual friend, Dr. Cynthia Solomon, a hugely important figure in her own right, edited a text in which important essays by Minsky were assembled and responded to by an amazing collection of Marvin’s friends. One of Marvin’s proteges, Xiao Xiao, illustrated the book. The contributors to this book include:

  • Co-inventor of the Logo programming language, Cynthia Solomon
  • Father of the personal computer, Alan Kay
  • Legendary computer science professor, author, and pioneer of the Open Courseware movement, Hal Abelson
  • Former Director the MIT Media Laboratory, Walter Bender
  • Artificial intelligence pioneer and MIT professor, Patrick Henry Winston
  • Software engineer, inventor, and executive, Brian Silverman
  • Software engineer, Mike Travers
  • Haptics engineer and scientist, Margaret Minsky
  • Me

I can’t speak for my contribution, but am confident that Inventive Minds will stimulate a great deal of thought and dialogue among you and your colleagues. Buy the book and enjoy some great summer reading!


Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary here.

I’m thrilled to announce that our publishing company, Constructing Modern Knowledge Press, has released a new and expanded second edition of our book, Invent to Learn: Making, Tinkering, and Engineering in the Classroom. The new book is available in softcover, hardcover, and Kindle editions.

Co-author Sylvia Martinez and CMK Press Art Director Yvonne Martinez put the finishing touches on the new book

Sylvia Martinez and I are enormously proud of how Invent To Learn has inspired educators around the world since we published the first edition. Our decision to emphasize powerful ideas over technology ensured that very little of the book became dated. In fact, the first edition of  Invent to Learn continues to sell at the age of 129 (in tech book years) and is available or currently being translated into seven languages. The book is quite likely the most cited book about the maker movement and education in scholarship and conference proposals.

The new book takes a fresh shot at addressing the three game changers: digital fabrication, physical computing, and computer programming. We include sections on the BBC micro:bit, Hummingbird Robotics, littleBits, and new programming environments for learners. The new Invent to Learn also afforded us with an opportunity to reflect upon our work with educators around the world since the dawn of the maker movement in schools. There is an enormous collection of updated resources and a new introduction. Stay tuned for more online resources to be posted at the Invent To Learn web site.

In crass terms, the new edition of Invent to Learn: Making, Tinkering, and Engineering in the Classroom is 25% longer than the original. We even debugged some six year old typos.

I was shocked by how much time and effort was required to create the new edition of Invent to LearnThe second edition actually took longer to write than the original. I think we made a good book even better.

Spoiler Alert

According to Amazon.com, the most underlined passage in Invent to Learn is this.

“This book doesn’t just advocate for tinkering or making because it’s fun, although that would be sufficient. The central thesis is that children should engage in tinkering and making because they are powerful ways to learn.”

One of the greatest honors of my life was having our book reviewed by legendary educator and author of 40+ classic books, Herb Kohl, who wrote the following.

Invent to Learn is a persuasive, powerful, and useful reconceptualization of progressive education for digital times.” (full review)

So, that’s the secret. Invent to Learn: Making, Tinkering, and Engineering in the Classroom is really about making the world a better place for kids by helping educators construct a joyous, purposeful, creative, and empowering vision of education that prepares young people to triumph in an uncertain future.

I sure hope that y0u will read our new book and share this exciting news with your colleagues!