Following my presentation at the March ASCD National Conference, Sarah McKibben of ASCD interviewed me for an article, If You Build It: Tinkering with the Maker Mind-Set, published in the June 2014 issue of ASCD Education Update.
As is often the case, just a few of my comments made it into the final publication. Since I responded to a number of interview questions via email, I am publishing my full interview here. The questions posed are in green.
How would you define making? I talked to Steve Davee at the Maker Education Initiative, and he says that making is more of a mind-set. “Where things that are created by people are recognized, celebrated, and there’s a common interdisciplinary thread.” Would you agree?
I like to say that the best makerspace is between your ears. I agree that it’s a stance that prepares learners to solve problems their teachers could never have predicted with a strong sense of confidence and competence, even if only to discover that there is much more to learn.
Seymour Papert calls the learning theory underlying the current interest in “making,” constructionism. He asserts that learn best occurs when the learner is engaged in the process of constructing something shareable.
In our book, we argue that my friend and mentor Papert, is the father the maker movement as well as educational computing.
In a webinar on your website, Sylvia Martinez said that with making, assessment is intrinsic within the materials.” That it’s more “organic, formative, and internally motivated.” If you’re working with a material like cardboard, without any technology involved (and you can’t base success on something lighting up), how do you assess learning?
First of all, it would be best to take a deep breath and not worry about assessing everything. All assessment interrupts the learning process. Even just asking, “Hey, whatcha doing?” interrupts the learning process. It is up to reasonable adults to determine an acceptable degree of interruption. Perhaps building stuff out of cardboard is just fun.
The best problems and projects push up against the persistence of reality. One could observe a student’s habits of mind. Speak with them about her goals and what she has accomplished. One could imagine thinking about the understanding of physics involved in building a structure, understanding of history in their cardboard Trojan horse, or storytelling ability.
There isn’t anything magical about technology when it comes to a teacher understanding the thinking of each student. That said, we find over and over again that in productive learning environments, kids may combine media, like cardboard, lights, and microcontrollers in interesting and unpredictable ways. The computer is part of an expansive continuum of constructive material.
It seems that there’s a wide gamut of materials in making. From cardboard to Arduinos to expensive laser cutters. You mentioned in a presentation, something about “low threshold, high-ceiling materials.” Can you describe what you mean?
Sure, Tinkering and engineering requires a dialogue with materials in which it is possible for young or inexperienced users to enjoy immediate feedback so they continue to grow as fluency increases. Think of paint and brushes in that context or programming languages, such as Scratch or MicroWorlds. Like with LEGO, simple elements or tools may be used to create infinite complexity and expressiveness.
Can you give me an example of how, for instance, a high school English teacher might bring making into the classroom?
Making real things that matter with a real potential audience. Kids should write plays, poems, newspaper articles, petitions, manuals, plus make films, compose music, etc… We need to stop forcing kids to make PowerPoint presentations on topics they don’t care about for audiences they will never encounter. Kids have stories to tell. They should act, write, sing, dance, film those stories AND learn to write the sort of scientific, technical and persuasive writing that nearly every career demands.
At our Constructing Modern Knowledge summer institute, middle school humanities teacher, Kate Tabor of Chicago, used MicroWorlds to “make” the computer generate random Elizabethan insults. Teachers have used versions of Logo for decades to explore grammatical structure and conjugation rules by writing computer programs to generate random poetry or create the plural possessive form of a word.
Steve Davee also mentioned that a key to successful making in schools is to empower students to become the experts–to learn how to use a 3d printer on their own, for example, and to share that knowledge with others. He said that when a teacher has to be involved with a technology or material, it creates a “creative bottleneck.” On the other hand, you’ve mentioned that teachers need to tap into their own expertise to guide students. Can these two approaches coexist peacefully?
Kids are competent. I believe that teachers are competent too. I find it unfortunate that so many educators behave as if teachers are incapable of adapting to modernity.
There is a fundamental difference in stance between assuming that as a teacher I know everything as a fountain of knowledge and that the kids are smarter than me. There may be a “creative bottleneck,” but giving up on teachers or schools is an unacceptable capitulation.
Great things are possible when the teacher gets out of the way, but even greater possibilities exist when the teacher is knowledgeable and has experience they can call upon to help a kid solve a tough problem, connect with an expert, or toss in a well-timed obstacle that will cause the student encounter a powerful idea at just the right teachable moment.
Each year, teachers at Constructing Modern Knowledge construct projects that two years ago would have earned them a TED Talk and five years ago, a Ph.D. in engineering, and yet so much teacher PD is focused on compliance, textbook page turning or learning to “use the Google.”
How does making align with Piaget’s understanding, as you’ve mentioned, that knowledge is a consequence of experience?
Piaget said that knowledge is a consequence of experience. Papert said, “If you can make things with computers, then you can make a lot more interesting things and you can learn more by making them.” Both ideas serve as strong justification for making.
In a webinar, Sylvia Martinez mentioned that instead of looking at standards and creating projects around them, teachers might work backward by creating an educational experience, then filling in the standards. Do you agree with this approach? How would this look with making?
I agree with Papert that at best school teaches a billionth of a percent of the knowledge in the universe yet our entire educational system is hell-bent on arguing endlessly over which 1 billionth of a percent is important. As an educator, my primary responsibility is create a productive context for learning that democratizes access to experience and expertise while doing everything I can to make private thinking public in order to ready the environment for the student’s next intellectual development. Making is wholly consistent with this view.
As we have mechanized and standardized teaching over the past generation, teachers have been deprived of experience in thinking about thinking. Their agency has been robbed by scripted curricula, test-prep, the Common Core, and other nonsense I believe to be on the wrong side of history. As a result, they can’t help but become less thoughtful in their practice. My work is concerned with creating experiences during which teachers become reacquainted with learning in order to become more sensitive to the individual needs, passions, talents, and expertise of each student. The emerging tools of the Maker Movement provide an exciting basis for such experiences.
As I said at ASCD, you can’t teach 21st Century learners, if you haven’t learned this century.
The future viability of public education is dependent on a system of creative competent educators trusted to provide rich learning experiences for children.
All of my friends know I have serious reservations about smarmy self-important libertarianism of TED and loathe speaking in the format – essentially a television program without any of the accoutrements of a television studio. That said, I’ve now performed three of them.
My first TEDx Talk made me ill for months before and weeks following the talk. The pressure was unbearable. You see, I wanted to go viral and become a millionaire – an overnight sensation like that guy who has taken such a courageous stance for creativity. The clock got me and I left half of my prepared thoughts on the cutting room floor. That said, people seem to like the talk anyway. For that I am grateful.
My first TED experience was so unpleasant that I sought an opportunity to try it again. This time, I promised myself that I would not stress out or over plan. That strategy paid off and the experience was a lot less traumatic. The only problem is that the venue audio was a disaster and I’m yelling through the entire talk. Don’t worry. I won’t be yelling when I publish a print anthology of these performances.
In March, I was invited by my longtime client, The American School of Bombay, to do another TEDx Talk. I assembled my vast team of advisors and brainstormed how I could turn this talk into riches beyond my wildest dreams. I quickly abandoned that idea and decided to use the occasion to honor my dear friend, mentor, and colleague, Dr. Seymour Papert in a talk I called, “Seymour Papert – Inventor of Everything*”
I hope you enjoy it (or at least learn something before I lose another game of Beat the Clock)! Please share, tweet, reload the page 24/7! I have not yet given up on becoming an overnight sensation.
2014 – Seymour Papert – Inventor of Everything*
2013 – We Know What to Do
2011 – Reform™
Four out of five kindergarteners agree.
Foam blocks suck.
Candidly, I have not been enthusiastic about teaching “computational thinking” to kids. In nearly every case, computational thinking seemed to be a dodge intended to avoid computing, specifically computer programming.
“There is no expedient to which a man will not resort to avoid the real labor of thinking.”
(Sir Joshua Reynolds)
Programming is an incredibly powerful context for learning mathematics while engaged in being a mathematician. If mathematics is a way of making sense of the world, computing is a great way to make mathematics.
Most of the examples of computational thinking I’ve come across seemed like a cross between “Computer Appreciation” and “Math Appreciation.” However, since smart people were taking “computational thinking” more seriously, I spent a great deal of time thinking about a legitimate case for it in the education of young people.
Here it is…
Computational thinking is useful when modeling a system or complex problem is possible, but the programming is too difficult.
Examples will be shared in other venues.
“Young people have a remarkable capacity for intensity….”
Those words, uttered by one of America’s leading public intellectuals, Dr. Leon Botstein, President of Bard College, has driven my work for the past six or seven years. It is incumbent on every educator, parent, and citizen to build upon each kid’s capacity for intensity otherwise it manifests itself as boredom, misbehavior, ennui, or perhaps worst of all, wasted potential.
Schools need to raise the intensity level of their classrooms!
However, intensity is NOT the same as chaos. Schools don’t need any help with chaos. That they’ve cornered the market on.
Anyone who has seen me speak is familiar with this photograph (above). It was taken around 1992 or 1993 at Glamorgan (now Toorak) the primary school campus of Geolong Grammar school in Melbourne, Australia. The kids were using their laptops to program in LogoWriter, a predecessor to MicroWorlds or Scratch.
I love this photo because in the time that elapsed between hitting the space bar and awaiting the result to appear on the screen, every ounce of the kid’s being was mobilized in anticipation of the result. He was literally shaking,
Moments after that image was captured, something occurred that has been repeated innumerable times ever since. Almost without exception, when a kid I’m teaching demonstrates a magnificent fireball of intensity, a teacher takes me aside to whisper some variation of, “that kid isn’t really good at school.”
No kidding? Could that possibly be due to an intensity mismatch between the eager clever child and her classroom?
I enjoy the great privilege of working in classrooms PK-12 all over the world on a regular basis. This allows me observe patterns, identify trends, and form hypotheses like the one about a mismatch in intensity. The purpose of my work in classrooms is to model for teachers what’s possible. When they see through the eyes, hands, and sometimes screens of their students, they may gain fresh perspectives on how things need not be as they seem.
Over four days last month, I taught more than 500 kids I never met before to program in Turtle Art and MicroWorlds EX. I enter each classroom conveying a message of, “I’m Gary. We’ve got stuff to do.” I greet each kid with an open heart and belief in their competence, unencumbered by their cumulative file, IEP, social status, or popularity. In every single instance, kids became lost in their work often for several times longer than a standard class period, without direct instruction, or a single disciplinary incident. No shushing, yelling, time-outs, threats, rewards, or other behavioral management are needed. I have long maintained that classroom management techniques are only necessary if you feel compelled to manage a classroom.
In nearly every class I work with – anywhere, teachers take me aside to remark about how at least one kid shone brilliantly despite being a difficult or at-risk student. This no longer surprises me.
In one particular class, a kid quickly caught my eye due to his enthusiasm for programming. The kid took my two minute introduction to the programming language and set himself a challenge instantly. I then suggested a more complex variation. He followed with another idea before commandeering the computer on the teacher’s desk and connected to the projector in order to give an impromptu tutorial for classmates struggling with an elusive concept he observed while working on his own project. He was a fine teacher.
Then the fifth grader sat back down at his desk to continue his work. A colleague suggested that he write a program to draw concentric circles. A nifty bit of geometric and algebraic thinking followed. When I kicked things up a notch by writing my own even more complex program on the projected computer and named it, “Gary Defeats Derrick.” The kid laughed and read my program in an attempt to understand my use of global variables, conditionals, and iteration. Later in the day, the same kid chased me down the hall to tell me about what he had discovered since I left his classroom that morning.
Oh yeah, I later learned that the very same terrific kid is being drummed out of school for not being their type of student.
I learned long ago. If a school does not have bad children, it will make them.
Student voice is good. We should take the needs, interests, concerns, talent, curiosity, discomfort, and joy of children seriously. (pretty courageous statement, eh?)
However, if one is truly committed to making the world better for kids, “voice,” is nice, but inadequate. “Voice” absent of power is often little more than propaganda or exploitation.
While I’ve been on a brief social media “skunk at the garden party” hiatus, Dean Shareski has generously filled-in by sharing his queasiness over the “viral” Goldieblox video being passed around the Web. Señor Shareski set his BS detector on high and has provided evidence that the “amazing” Rube Goldberg machine “made by girls” is merely a commercial for a new toy called, Goldieblox.
I am shocked! Shocked!
Anyone who knows me knows that I love toys. I find buying them irresistible. I’ve been seeing Goldieblox at Maker Faires for more than a year, but have not bought a set because I think they lack extended play value (a term LEGO uses internally). I’m not one to get all outraged that a toy for girls is pink. Goldieblox just hasn’t seemed very interesting to me or the girls I work with. It’s not part of my workshop road show sweeping the globe, “Invent To Learn.”
It just doesn’t seem that Goldieblox has any chance of measuring up to the self-promotion and hype of its creator that her box of ribbon and spools is “building women engineers.” I applaud the sentiment, but if we are truly serious about improving the education of girls, it will take a lot more work than a trip to Toys R Us.
I could be wrong. I’ve recently been upgrading my initial assessment of littleBits, based on my observations of children playing with the new toy/electronics construction kit. So, perhaps I will soon fall in love with Goldieblox, but I doubt it.
Back to Monsignor Shareski…
I took a lot of “brown porridge” when I called BS on the very same videos of yesteryear.
There was Dalton Sherman, the “amazing” 5th grader who was coached all summer-long to give a condescending speech, written by the Dallas Schools PR department to Dallas teachers, right before laying off 400 of them. I smelled a rat the second I saw the video. Was called a big fat poo-poo head by teachers on social media and was right. BTW: Dalton Sherman seems to have disappeared just like those teacher jobs. So much for being the voice of school reform.
Then there was Michael Wesch (who is an important scholar) made famous by the hostage film he created in which college students decried the state of education.
Fantastic. A college class with far too many students in it (200) attempts to revolutionize the educational system by whining in a five minute web video.
I’m sorry, but count me unimpressed!
Perhaps a student should hold up a sign saying, “My professor is wasting my time and money by making me participate in a piece of exploitative propaganda in which I get to insult either my generation or the one before me just to get on YouTube.”
How did bashing our own profession become such a popular sport? What possible value could demeaning educators have in a professional development setting? Are we desperate for moving pictures or are they merely a substitute for actual ideas?
From Hey Mom! Look What I Made in College (November 2007)
Aside from their lack of authenticity, what these three AMAZING viral videos of is how children and claims of “student voice” exploit children for propaganda purposes. The Goldieblox video is a commercial selling a toy. We don’t tweet Sir Grapefellow commercials (my preferred boyhood breakfast treat) as AMAZING examples of student voice, so why the wishful thinking about Goldieblox?
Señor Shareski rightfully cites my colleague Super-Awesome Sylvia (read Super-Awesome Sylvia in the Not So Awesome Land of Schooling) as a counter example to the fake Goldieblox commercial. I have worked closely with Sylvia over the past couple of years and made her part of the Constructing Modern Knowledge faculty, not because she is cute (she is), but because she is accomplished. She knows stuff. She has skills. She has a great work ethic and is a terrific teacher (at 12).
However, talent and achievement did not made Sylvia immune from cynical exploitation by Rupert Murdoch and Joel Klein’s education cabal as documented in an article I wrote for the Huffington Post, Shameless Shape Shifters.
So the moral of our story is…
- As a young blogger in 1971, The Brady Bunch taught me an important lesson relevant here, caveat emptor – buyer beware. Users of social media need to “follow the money,” have a highly-tuned BS Detector, and know when and what they are being sold.
- Calling everything amazing or everyone a genius is lazy and counterproductive.
- Student voice without what Seymour Papert calls “kid power” is worse than empty rhetoric, it is a lie. Escapism is not the same as freedom. Too much of what is offered as “student voice” offers a false sense of agency, power, or freedom to the powerless. It is what Martin Luther King, Jr. called, “the intoxicating drug of gradualism.”
Note from Gary Stager…
In 1989, a great friend, colleague and pioneer in educational computing, Steve Shuller, authored the following literature review. Steve was Director of Outreach at Bank Street College during its microcomputer heyday, co-created New Jersey’s Network for Action in Microcomputer Education (N.A.M.E., now NJECC) and was a Director of the IBM Model Schools Project. Shortly before his untimely death Steve prepared this literature review for the Scarsdale, NY Public Schools, hoping that it would contribute to the end of tiresome discussions regarding keyboarding instruction.
Steve would be horrified that this trivial issue lives on in a field that has matured little in the past fourteen years. I share his work with you as a public service and in loving memory of a great educator.
Keyboarding in Elementary Schools
Stephen M. Shuller
Scarsdale, NY Public Schools
We are currently in the midst of a world-wide revolution, moving from the Industrial Age to an era in which information is the primary product (Toffler 1984). As information processing tools, computers are central to this revolution. The ability to interact with computers is an essential skill for the Information Age, one which our schools will need to address to prepare our students to meet the challenges of this fundamentally changed world.
The educational reform movement of the 1980′s has recognized the importance of computers in education. For example, A Nation at Risk (1983) calls for the high school students to:
(a) understand the computer as an information, computation, and communication device;
(b) use the computer in the study of the other Basics and for personal and work-related purposes; and
(c) understand the world of computers, electronics, and related technologies. (A Nation at Risk 1983, 26)
Virtually every other reform proposal has included similar recommendations. The educational community has responded to the futurists’ visions of the Information Age and the reformers proposals by working to integrate computers into the curriculum at all levels.
At present, people interact with computers by typing words on typewriter-like keyboards. Even though computers may someday be able to understand handwriting and human speech, in the currently foreseeable future-which in the Information Age may be only a dozen years or so at best-keyboarding skills are necessary to make computers do our bidding. Thus, keyboarding is an essential enabling skill for using computers in schools and in society, and must be included in Information Age curricula (Gibbon 1987).
Even though there is virtual unanimity that students should learn to keyboard, there is considerably less agreement on how, how much, when, and by whom. This paper will consider the teaching of keyboarding in elementary schools, examining these questions as a guide for curriculum development.
Keyboarding and Typing: Historical Context
Computer keyboards are similar to typewriters, Industrial Age tools invented by Christopher Sholes in 1868 and first marketed by Remington in 1873 (Yamada 1983). By the end of the 19th Century, typewriters were considered reliable writing tools, and started becoming widely used in offices (Pea and Kurland 1987). The first typing instruction was provided by typewriter manufacturers in about 1880 (Yamada 1983). It took public schools until 1915 to begin teaching typing as a high school occupational skill (West 1983).
By the 1920′s, educators began to experiment with using the new technology-typewriters–to help children learn to write (Pea and Kurland 1987). These experiments were quite successful. In the largest-scale controlled study, Wood and Freeman (1932) followed 2383 students as they learned to write on portable typewriters over a two year period. They found that the students who used typewriters wrote with more expression, showed higher reading scores, became better spellers, and enjoyed writing more than students learning to write using conventional methods. Similarly, Merrick (1941) found that typewriters helped the English development of high school students. Even so, typewriters did not catch on in education.
In the 1960′s and early 1970′s, there was another smattering of interest in using computers in language arts (Balajthy 1988). Edward Fry, a noted reading specialist at Rutgers University, published a book on using typewriters in language arts which was not widely used. Perhaps seeing a new window of opportunity, Fry (1984) revised his text and reissued it as an approach to keyboarding in language arts.
Since we have known for more than half a century that keyboarding can help elementary school children learn language skills, why have typewriters only rarely found their way into elementary school classrooms, in sharp contrast to the current push to put computers into schools? One answer is that schools by and large reflect the perceived needs of society. Industrial Age schools resembled factories, and funds for typewriters were only available to prepare the relatively few students who would become clerks and typists. Information Age schools must prepare the vast majority of students to use computers because they are information management tools.
But why start elementary school students on computers? Here there is less direct pressure from society and more interest from educators who see the potential to enhance education. The two main factors spurring this interest are the transformation of professional writing through word processing (Zinsser 1983) and the transformation of writing instruction through the process approach (Graves 1983). Computers can greatly facilitate implementation of a process approach to teaching writing (Green 1984; Daiute 1985), so many educators are interested. In the current social milieu, the taxpayers are often willing to supply the necessary equipment.
Keyboarding in Elementary Schools: Curricular Issues
Given that we would like to use microcomputer based word processing as a tool to teach writing, what sort of keyboarding skills will elementary school students need? There seem to be three main alternatives. If they have no familiarization with the computer keyboard, they will have to “hunt and peck.” If they know where the keys are but not how to touch type, they can “peck” without much “hunting,” preferably using both hands. Finally, they can learn to touch type.
Everyone seems to agree that keyboard familiarization is in order, but whether to stop there or to teach touch typing to elementary school students is controversial. Advocates of the keyboard familiarization approach argue that students can type quickly enough to facilitate their writing without touch typing, that touch typing demands too much from limited time and computer resources, and that touch typing skills are quickly forgotten unless the students continue to practice regularly. Advocates of touch typing counter that students who develop the “bad habit” of keyboarding with two fingers find it very difficult to learn correct touch typing skills later and that such skills will ultimately be very important because of increased speed and efficiency.
There is widespread agreement that elementary students need to be able to type at least as fast as they can write by hand to avoid interfering with their writing process. A number of investigators have determined elementary school student handwriting rates. Graham and Miller (1980) found that students in grades 4 through 6 can copy text at a rate of 7 to 10 words per minute (wpm). Graves (1983) found a range of 8 to 19 wpm for 9 and 10 year olds when composing. Freyd and Kahn (1989) found an average rate of 11.44 wpm among 6th graders. With no keyboarding instruction (familiarization or touch typing), students of these ages can generally type 3 to 5 wpm (Wetzel 1985, 1987; Stoecker 1988). Different testing procedures probably accounts for most of the variation in these results. Wetzel (1987) reports that 10 wpm is generally accepted as a benchmark writing rate for students in grades 4 through 6.
Can students learn to type as fast as they can write with a keyboard familiarization program and word processing practice alone? The results are mixed. Freyd and Kahn (1989) report two studies in which students were able to type at writing speed with just keyboard familiarization and practice. one group of 6th graders started with an average rate of 6.62 wpm in October. With one hour of word processing per week, they had increased their average speed to 10.12 wpm in May. On the other hand, Daiute (1985) found that 11 and 12 year olds could write more words by hand in 15 minutes than they could type on the computer even after six months of word processing experience. Dalton, Morocco, and Neale (1988) found that 4th graders were initially comfortable word processing without touch typing instruction, but became frustrated later in the year as they needed to enter longer texts into the computer. In this study, however, students began using the word processor with no previous keyboard familiarization, so the results are not surprising.
Advocates of touch typing frequently claim that teaching touch typing to students who first learned to type without proper fingering techniques is very difficult or impossible (Kisner 1984; Stewart and Jones 1985; National Business Educators Association 1987; Abrams 1988; Balajthy 1988). No empirical evidence is presented to substantiate this claim, however. Wetzel (1987) interviewed several typing teachers, some of whomwere concerned about the “hunt and peck unlearning” problem, but others were not concerned, based on their own teaching experiences. West (1983) reports successfully teaching “hunt and peck” typists to use correct touch typing finger positions with about 10 hours of instruction.
By grade 3, children are developmentally able to touch type on electric keyboards. Advocates of touch typing generally agree that students should receive instruction just prior to the time they will need to use touch typing skills for word processing. If studen ts do not regularly practice typing, their skills can deteriorate in as little as six weeks (Warwood 1985). Wetzel (1987) found that students regress in their skills if they do not practice regularly after 20 hours of initial instruction. He cites business education research that students tend to retain their skills once they reach a plateau of 20 wpm. Gerlach (1987) ,found that with continued practice, students continue to improve their speed. In her study, 6th grade students who averaged 9.71 wpm after a 6 to 8 hour keyboarding course improved to 12.27 wpm four months later with continuing word processing practice.
Business educators have proposed a number of touch typing programs for elementary school students, some based on a recommended amount of instruction, others based on a performance criterion. Kisner (1984) recommended touch typing instruction in 20 to 30 minute periods, to a criterion of 20 wpm in Grade 3 or 25 wpm in grades 4 through 6. These recommendations seem to comefrom the experience of business education teachers with high school students rather than from keyboarding experience with elementary school children.
Jackson and Berg (1986) recommend 30 hours of instruction spread over two or three years, with weekly 30 minute review sessions. Instruction should take place in 20 to 30 minute periods, using a combination of software and a textbook. The recommended course sequence follows the traditional typing course, starting with the home row and introducing two new keys per session, with appropriate drills. Teachers should monitor the students continuously to make sure they are using proper form. Instruction should emphasize speed, not accuracy.
In 1987, the National Business Education Association (NBEA) proposed standards for keyboarding instruction in elementary schools. The NBEA recommended that elementary school students learn touch typing to a criterion of 15 wpm, and middle school students further develop their skill to a criterion of 25 wpm. Not surprisingly, the NBEA recommended that business education teachers, rather than elementary school classroom teachers, provide the instruction.
Wetzel (1985) surveyed the literature on touch typing programs for elementary school students, finding that fifth graders could be taught to touch type 22 wpm with a nine-weeks of daily instruction for 45 minutes, and fifth and sixth graders could achieve 40 wpm by spending one hour daily for a full year.
Alternatively, a more limited keyboarding instruction program consisting of instruction in correct fingering techniques and practice with a computer typing tutorial could lead to an average typing rate of 10 wpm in four weeks of 35 minute sessions or 15 wpm in nine weeks of such sessions. He also observed third, fourth, and fifth graders using word processors without touch typing instruction, finding that those who could type from 7 to 10 wpm were able to make adequate use of the computer for word processing. Given the heavy demands on teaching time in elementary schools, the relatively low level of typing skill needed to facilitate word processing and other computer activity, and the students’ ability to increase typing proficiency through continued computer use, Wetzel recommended a limited keyboarding program to accomplish a typing speed of 10 wpm in a relatively short period of time.
In a later paper, Wetzel (1987) modified these recommendations to take into account differing amounts of computer usage. If students regularly use computers at least two hours per week, Wetzel feels that they will get enough practice to sustain typing skills, justifying a 20 to 30 hour period of initial instruction in touch typing. If students characteristically use computers one hour per week or less, only a much more limited program of keyboard familiarization is recommended.
Stoecker (1988) developed a touch typing program ofinstruction designed for use by elementary school teachers. After a four week course, 20 sessions of 30 minutes each, fifth and sixth graders achieved typing rates of about 12 wpm. Stoecker’s program consists of student and teacher materials for use with any word processor. He has found that elementary school classroom teachers can learn to use this approach through a one day long training workshop.
Balajthy (1988) emphasizes the importance of integrating keyboarding instruction into the language arts curriculum. He cites recent studies showing that keyboarding can improve language arts skills, results which are consistent with the typewriter-based studies of the 1930′s and 19401s. Balajthy, like Wetzel, finds that students can achieve adequate typing skills with a limited period of keyboarding instruction-about 8 to 10 hours-followed by regular practice with computer activities. Like Stoecker, Balajthy recommends teacher- keyboarding instruction using a word processor rather than use of a software-based tutorial. Balajthy (1987) cautions that unless students have significant amounts of ongoing typing or word processing activity, touch typing instruction is a waste of time because skills will deteriorate rapidly.
One reason why Stoecker and Balajthy recommend keyboarding instruction on word processors with teacher supervision is because computer tutorials cannot monitor correct fingering and other aspects of proper touch typing. Stoecker (1988) reportsthat non-typists tend to use two fingers unless a teacherobserves. In contrast, Mikkelson and Gerlach (1988) performed acontrolled study in which third to sixth graders worked with a computer typing tutorial. Half of the students were supervised and encouraged to use proper touch typing form; the other half were observed but not supervised. The results were surprising–both groups made similar progress in typing skill, and there was no difference between groups in propensity to use correct touch typing techniques.
If Mikkelson and Gerlach’s results are generalizable, it would be possible for elementary school teachers to obtain satisfactory results by teaching touch typing through limited individual work with a computer typing tutorial. Such instruction could take place on classroom computers while other activities were taking place. If students need to be supervised to insure proper fingering techniques, then either elementary classroom teachers will need to be trained to teach touch typing or business education teachers will be needed.
Keyboarding and the Future
In their Database of Competencies for Business Curriculum Development, the NBEA defined keyboarding as follows:
Keyboarding is defined as the act of placing information into various types of equipment through the use of a typewriter-like keyboard. Typewriting and keyboarding are not synonymous. The focus of a keyboarding course is on input rather than output. (NBEA 1987, A-19)
Keyboarding is seen as a way to input information into a computer so that it can be manipulated. Thus, initial accuracy is less important than speed, ability to manipulate text is more important than formatting skills for specific types of documents, and composing is more important than transcribing (so it does not matter so much if the typist looks at the keys).
These distinctions recognize important changes in the purposes for which people type on Industrial Age typewriters and on Information Age computer keyboards. Yet, if we look closely at the keyboarding programs proposed by business educators, we find a methodology geared to the Industrial Age purpose of transcribing rather than the Information Age purpose of composing (Freyd and Kahn 1989).
This discrepancy is not surprising. As Naisbitt (1982) observed, people tend first to use a new technology in the same ways they have used older technologies which seem similar. only after a (sometimes lengthy) period of incubation do we see new directions or uses that grow out of the technology itself. So, at this point it is useful to take a step back and consider whether we might be looking at the keyboarding issue all wrong.
Graves (1983) has determined that five and six year old beginning writers compose at a painstakingly slow pace of 1.5 words per minute. At that rate, writing down a six word sentence can take up to nine minutes. Even five and six year olds who are unfamiliar with keyboards can compose more quickly and easily oncomputers than by hand (Wetzel, 1985). Graves has remarked that “one can imagine starting kids off writing on keyboards and save handwriting until motor skills are more highly refined.” (Green 1984).
Fry (1987) has proposed that schools eliminate the teaching of cursive writing and substitute keyboarding. He points out that cursive writing is not taught in European schools; students learn manuscript, and then develop their own handwriting style through shortcuts. By teaching cursive writing instead of keyboarding, Fry says, “we are training for the last century instead of for the next century.”
The issue of touch typing versus two-finger typing may be similar. Gertner and Norman (1984) have observed that the main advantage of touch typing is in copying. Copying is important for Industrial Age clerks and typists to transcribe business documents, but it is irrelevant to writers using word processing to compose and edit. By insisting on touch typing, are we training for the last century instead of for the next?
The New York State Keyboarding Curriculum
The New York State Board of Regents Action Plan to Improve Elementary and Secondary Education Results in New York calls for instruction in keyboarding to be “included in the State-developed English Language Arts Syllabus.” A state education department curriculum guide entitled Developing Keyboarding Skills to Support the Elementary Language Arts Program further stipulates that “approximately 18 to 20 hours of instruction should be devoted to keyboarding instruction within the framework of the Language Arts Program in the elementary grades.” (New York State Education Department 1986, 23).
The state keyboarding curriculum closely parallels material published by the National Business Education Association and by-state and local business education personnel. As described above, this means that the general thrust of the guide recognizes different needs and objectives between traditional typing instruction and keyboarding instruction, the recommended teaching strategies follow a more or less traditional touch typing approach. The influence of the business education community is apparent from the Suggested Readings offered in Appendix B. Of the 25 references listed on pages 29 and 30, 15 are to business education sources, and only 4 are to computer education and 3 more to general education sources.
The state curriculum clearly reflects the relative strength of business educators compared with computer coordinators in New York. For example, under “General Guidelines for Achieving Outcomes,” the guide suggests that:
business education teachers should be called upon to assist in the development of keyboarding curricula, in-service training, and selection of materials and methodology. (5)
Under “Planning for Teacher Awareness and Training:
… the business education teacher … can be very helpful in developing the plan and for training other teachers inappropriate keyboarding techniques. Business education teachers can also serve as a resource once a program is in place to conduct follow- activities as needed. (6)
Under delivery of instruction, the curriculum calls for students to learn touch typing, including correct fingering, posture, and eye contact (away from the keyboard, that is). The guide stops short of requiring business education teachers to teach the keyboarding courses, but states:
Teachers who have been trained in keyboarding methodology are of considerable importance in achieving these goals. (7)
In contrast, computer coordinators are mentioned only once in thecurriculum guide. The guide clearly views computer coordinators as technicians rather than instructional leaders, suggesting that they can be helpful in scheduling labs, repairing equipment, finding software and the like. The next sentence reminds the reader that knowledgeable high school students can also provide “considerable assistance.” (7)
To its credit, the state keyboarding guide does focus on integrating keyboarding into the language arts curriculum, as suggested by Balajthy (1988) and others. But it leans so heavily for its methodology on the perspective of the past that it is” suspect as a guide to the future.
Conclusions and Recommendations
There is widespread agreement that elementary school students need keyboarding skills. Whether keyboardfamiliarization is sufficient or whether students need touch typing skills depends on the nature of the school’s language arts and computer education curricula.
Touch typing courses are only effective if students receive a substantial period of initial instruction followed by regular practice throughout the school year. Touch typing courses can be recommended when computers are fully integrated into the language arts curriculum and when students regularly have at least two hours of individual computer time per week. In this type of environment, the initial touch typing instruction should occur at the time when students will first become involved with computers on a regular basis. The initial instruction should be provided either by specialists or by classroom teachers who have been given training in how to teach touch typing.
In situations where students make more limited use of computers, the evidence at hand suggests that a program of keyboard familiarization is sufficient to provide adequate keyboarding skills to support word processing and other uses of computers in elementary schools. Keyboard familiarization can be taught by classroom teachers assisted by appropriate computer software.
As we move further into the Information Age, fundamental changes in our school curricula will follow, paralleling the changing needs of society. Envisioning these changes, we can imagine a time when keyboarding will replace cursive writing asan essential skill for elementary school children, complementing a language arts curriculum using computers extensively for such activities as writing with word processors. Developing an Information Age language arts curriculum with keyboarding as a fundamental skill should be a central focus of our long-range curriculum planning.
Abrams, Jeri. “Keys to Keyboarding.” Boston Computer Society Education Special Interest Group News 4 (November/December 1988): 6-12.
Balajthy, Ernest. “Keyboarding and the Language Arts.” The Reading Teacher 41 (October 1987): 86-87.
Balajthy, Ernest. “Keyboarding, Language Arts, and the Elementary School Child.” The Computing Teacher 15 (February 1988): 40-43.
Daiute, Colette. Writing and Computers. Reading, MA: AddisonWesley, 1985.
Dalton, Bridget M., Catherine Cobb Morocco, and Amy E. Neale.
“I’ve Lost My Story!” Mastering The Machine Skills for Word Processing. Paper presented at the annual meeting of the American Educational Research Association, New Orleans, 1988.
Freyd, Pamela and Jessica Kahn. “Touch Typing in Elementary Schools-Why Bother?” In William C. Ryan, Ed. Proceedings of the National Educational Computing Conference 1989. Eugene, OR: International Council on Computers for Education, 1989.
Fry, Edward. Computer Keyboarding for Children. NY: Teachers College Press, 1984.
Fry, Edward. Quoted in “Keyboarding replacing writing: Penmanship should be out and typing in, professor says.” The Associated Press, 2 February, 1987.
Gentner, Donald and Donald Norman. “The Typist’s Touch.” Psychology Today 18 (March 1984): 67-72.
Gerlach, Gail J. The Effect of Typing Skill on Using a Word Processor-for Composition. Paper presented at the annual meeting of the American Educational Research Association, Washington, DC, 1987.
Gibbon, Samuel Y., Jr. “Learning and Instruction in the Information Age.” In Mary Alice White, Ed. What Curriculum for the Information Age? Hillsdale, NJ: Erlbaum, 1987.
Graham, Steve and Lamoine Miller. “Handwriting Research and Practice: A Unified Approach.” focus on Exceptional Children 13 (1980): 1-16.
Graves, Donald H. Writing: Teachers-and Children at Work. Exeter, NH: Heinemann, 1983.
Green, John 0. “Computers and Writing: An Interview with Donald Graves.” Classroom Computer Learning 4 (March 1984): 21-23, 28.
Jackson, Truman H. and Diane Berg. “Elementary Keyboarding-Is it important?” The Computing Teacher 13 (March 1986): 8-11.
Kisner, Evelyn. “Keyboarding-A Must in Tomorrow’s World.” The Computing Teacher 11 (February 1984): 21-22.
Koenke, Karl. “ERIC/RCS Report: Keyboarding: Prelude to Composing at the Computer-” English Education 19 (December 1987): 244-249.
McCrohan, Jane. Teaching Keyboarding: The first step in making the computer an effective writing tool. Paper presented at the New Jersey Educational Computing Conference, 1989.
McLean, Gary N. “Criteria for Selecting Computer Software for Keyboarding Instruction.” Business Education Forum 41 (May 1987): 10, 12.
Merrick, Nellie L. “Typewriting in the University High School.” School Review 49 (April 1941): 284-296.
Mikkelsen, Vincent P. and Gail Gerlach. Teaching Keyboarding Skills to Elementary School Students in Supervised and Unsupervised-Environments. ERIC Document Number ED301152, 1988.
Naisbitt, J. Megatrends: Ten New Directions Transforming our Lives. New York: Warner Books, 1982.
National Business Education Association. Database of Competencies for Business curriculum Development, K-14. ERIC Document Number ED 294064, 1987.
A Nation at Risk: The Imperative for Educational Reform (Washington, DC: U.S. Government Printing Office ).
Pea, Roy D. and D. Midian Kurland. “Cognitive Technologies for Writing.” In Ernst Z. Rothkopf, Ed. Review of Educational Research, Volume 14. Washington, DC: American Educational Research Association, 1987.
Stewart, Jane and Buford Jones. “Keyboarding Instruction: Elementary School Options.” Business Education Forum 37 (1983): 11-12.
Stoecker, John W. Teacher Training for Keyboarding Instruction– 4-8: A Researched and Field Tested Inservice Model. ERIC Document Number ED290451, 1988.
Warwood, B., V. Hartman, J. Hauwiller, and S. Taylor. A Research Study to Determine the Effects of Early Keyboard Use upon Student Development in Occupational Keyboarding. Bozeman, MT: Montana State University, 1985. ERIC Document Number ED 265367.
West, L. The Acquisition of Typewriting Skills. Indianapolis, IN: Bobbs-Merrill, 1983.
Wetzel, Keith. “Keyboarding Skills: Elementary, My Dear.” The Computing Teacher 12 (June 1985): 15-19.
Wetzel, Keith. “Keyboarding-An Interview with Keith Wetzel.”
Making the Literature, Writing, Word Processing Connection. The Writing Notebook, 1987.
Wood, Ben D. and Frank N. Freeman. An Experimental Study of the Educational Influences of the Typewriter in the Elementary School Classroom. NY: MacMillan, 1932.
Yamada, Hisao. “A Historical Study of Typewriters and Typing Methods: from the Position of Planning Japanese Parallels.” In Dudley Gibson., Ed. Wordprocessing and the Electronic office. London; Council for Educational Technology, 1983.
Zinsser, W. Writing with a Word Processor. NY: Harper and Row, 1983.
I certainly sized the opportunity to pull no punches. I left no myth behind. Perhaps a few school business administrators will think differently about some of their decisions in the future.
A PDF of the article is linked below. I hope you enjoy the interview and share it widely!
I’ve watched American Idol since its inception and am a fan. Months ago, I predicted that Angie would win this year. we will know for sure in a few weeks.
In the post-Simon Cowell years of American Idol, the quality of judging has become tedious, cloying and adoring of the young contestants. There has been little instructive teaching for the kids competing or the audience at home. That’s a shame because American Idol used to feature legendary artists every week as mentors who would perform a quickie masterclass for contestants (and audience) who otherwise would enjoy no such access to expertise. One of my favorite mentors a few years back was Harry Connick, Jr. It was also one of the lowest rated episodes of the season. Despite the relative (un)popularity of Mr. Connick, he taught the kids, played with them and wrote charts suited to their talents. He was a great mentor.
I was thrilled to see Harry back on Idol again this week and he ignited a firestorm when he refused to agree with the incredibly terrible advice being dispensed by an incredibly disingenuous Randy Jackson. You can the details of his awful advice in the well-written article linked below, but suffice to say that Mr. Jackson knows better. He may not have the talent and musical knowledge of Harry Connick, Jr., but he has enjoyed a great deal of success in the music business. If Randy Jackson had been paying for Kree’s studio time as a producer, his advice would have been exactly the same as that of Mr. Connick.
After Wednesday night’s show, an educator colleague of mine posted the following message on Facebook:
Harry Connick seems sort of mean and opinionated. #justsayin
TEACHERS SHOULD HAVE OPINIONS and be great at what they do!I could not disagree more. American Idol vs. Harry Connick Jr. is a great metaphor for everything wrong with American culture. The entire season has been spent repeating clichés and telling the contestants that they are geniuses. Celebrity and popularity are not the same as talent or artistry.
How dare those kids call themselves artists? Artist, reformer and revolutionary are terms that must be bestowed upon you by others. As Seinfeld said, “I’m 17. Why aren’t I huge?”
Harry Connick, Jr. is an incredibly gifted singer, pianist, composer, arranger, technology pioneer and he acts too. He has been a professional musician since he was 5.
He is an expert in jazz history and the American songbook.
Amber and Kree’s performance of classic standards was atrocious. It is NOT unreasonable to expect “singers” about to get rich beyond their dreams to learn or understand a song. Countless thousands of peers of the “Idols” studying music around the country do so. In fact, jazz majors at Julliard are required to memorize every piece of music they perform, including full big band arrangements.
My friend Emmet Cohen is 22 years old and knows a few thousand songs that he can play and improvise on in 12 keys. That’s artistry and talent.
Harry gave Kree incredibly good advice and she ignored all of it. She added runs to almost every note. It was unmusical.
Harry Connick is the expert. Kree is the student. She should behave accordingly and be open to instruction. Randy’s advice to her was completely disingenuous. He would NEVER tolerate such a shambolic performance if he was spending his time or money producing her.
The judges do the kids no favor my not teaching them or asking them to “just be Kree.” Being Kree is terrible advice. She’s an amateur with a lot to learn.
I sure wish every American student could have a good music teacher. It would make the world a better place!
- As Randy Jackson reminds us constantly, “this is a singing competition!” Singers should be able to sing anything.
- The #1 album today is by Michael Bublé, a guy who sings the Great American Songbook. These classic songs are contemporary hits.
“The point Connick tried to make, which Jackson didn’t want to hear, was that the show’s contestants didn’t know these classic songs well enough to take liberties with their melodies and lyrics. In doing so, they were murdering the music.” – John Stark
Coming to a Classroom Near You!
©2001 Gary S. Stager/Curriculum Administrator Magazine
A version of this was published in the August 2001 issue of Curriculum Administrator Magazine
At our annual family dinner to celebrate the end of another grueling school year, each of our children reflected upon the lessons learned and the obstacles overcome during the previous ten months. Our seventh-grade daughter, who will be referred to by the top-secret code name of Miffy, shared with us a new pedagogical strategy and use of educational technology not yet conceived of during my school years.
What was this innovation? Was it project-based learning, multiage collaboration, constructionism, online publishing, modeling and simulation? Nope, it was Disney films.
Yup, that’s right. Disney films (and several others too). The following is a partial list of the films shown this year during class time by my daughter’s teachers.
The Nightmare Before Christmas
The Lion King
Mighty Joe Young
The Little Mermaid
Angels in the
The Big Green*
Planet of the Apes
Mighty Joe Young
The Lion King II
The Road to
Remember the Titans
Rocky & Bullwinkle
Star Wars: Return
Mr. Holland’s Opus
This remarkable waste of class time occurred in a school where requests for meaningful projects, hands-on experiments, field-trips, drama and other productive learning experiences are abandoned because of an oft-repeated “lack of time.” Sure the standardized tests and top-down curricular pressures wreak havoc with creating a productive context for learning, but we can’t blame this one on Princeton or the President. Somewhere along the line educators determined that the demanding curriculum was elastic enough for the illegal showing of countless commercial films.
My Daughter the Rodeo Clown
Miffy also told me that due to the SAT-9 exams, Career Day had been cancelled. I’m not sure which part of that statement is most tragic, so let’s state it in the form of a standardized test question.
Which is most pathetic?
a) Canceling Career Day because of SAT-9 (standardized) testing
b) Career Day
c) The school’s remedy for having cancelled career day
The ingenious remedy chosen was to spend much of the last week of school watching a series of instructional videos called, “Real Life 101.” While hardly as educational as Mulan, these shows turned out to be far more entertaining. The audience was repeatedly reminded, “you don’t need a college degree for this career, but it wouldn’t hurt! “
The hosts of the series, Maya, Megan, Zooby and Josh (there always seems to be a Josh) introduced exciting career options for the high-tech interconnected global economy of the 21st century. The career options included the following: Snake handler, projectionist, naval explosive expert, skydive instructor, rafting instructor, diamond cutter, roller coaster technician, exterminator, auctioneer, alligator wrestler and my personal favorite growth industry – rodeo clown!
You can’t make this stuff up! The worksheet that followed the Career Day substitute asked each child to rank these careers in order of preference and write a few sentences explaining their number one choice.
If I wanted my children to watch television, I’d let them stay home. At least at home they could watch something educational like “Behind the Music: The Mamas and the Papas”or learn about Beat poetry from the “Many Loves of Dobie Gillis. ” At least then they would have a chance to learn something more than the unfortunate lessons being modeled by their schools.
*My kid explained that all of these films share the same plot about a group of fat kids working hard together to win the big game – somewhere in there a lesson for us all.